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		<title>Draft These Badasses to Improve US Communication Enterprise</title>
		<link>http://www.mustbeawesome.com/2011/07/draft-these-badasses-to-improve-us-communication-enterprise/</link>
		<comments>http://www.mustbeawesome.com/2011/07/draft-these-badasses-to-improve-us-communication-enterprise/#comments</comments>
		<pubDate>Thu, 14 Jul 2011 14:39:34 +0000</pubDate>
		<dc:creator>Du4</dc:creator>
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		<guid isPermaLink="false">http://www.mustbeawesome.com/?p=1614</guid>
		<description><![CDATA[Pundits, researchers, textperts, and academics all love to talk about how they would fix the United States&#8217; fragmented, crapped-out communication apparatus. The overarching web of demon seed spunked across drab refurbished halls in the Eisenhower Building on 17th Street NW barely covers the Sarlacc maw of offices, officials, and assholes manning the guns of This, [...]]]></description>
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<p>Pundits, researchers, textperts, and academics all love to talk about how they would fix the United States&#8217; fragmented, crapped-out communication apparatus. The overarching web of demon seed spunked across drab refurbished halls in the <a class="zem_slink" title="Eisenhower Executive Office Building" href="http://en.wikipedia.org/wiki/Eisenhower_Executive_Office_Building" rel="wikipedia">Eisenhower Building</a> on 17th Street NW barely covers the Sarlacc maw of offices, officials, and assholes manning the guns of This, Our National Communication Nightmare. All suggestions for reform mandate &#8211; nay, <em>demand</em>! &#8211; leadership in renovating this sad enterprise, this broken transistor, these crusted lips. Though none of these tremendous gasbags has deigned to ask the question most important to we lowly peasants of the pen: &#8220;<em>Who</em> shall lead us?&#8221; Submitted then, for no approval, is this list of <strong><em>AWESOME, </em></strong>kermodial badasses. Executives in 21st century organization and innovation. Preeminent princes of creativity. Visionaries of the better and the righteous.</p>
<div class="zemanta-img zemanta-action-dragged" style="margin: 1em; display: block;">
<div class="wp-caption alignleft" style="width: 190px"><a href="http://commons.wikipedia.org/wiki/File:Jack_Dorsey_03.jpg"><img class=" " title="Jack Dorsey, co-founder of Twitter." src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/31/Jack_Dorsey_03.jpg/300px-Jack_Dorsey_03.jpg" alt="Jack Dorsey, co-founder of Twitter." width="180" height="120" /></a><p class="wp-caption-text">Image via Wikipedia</p></div>
</div>
<h2><a class="zem_slink" title="Jack Dorsey" href="http://twitter.com/jack" rel="twitter">Jack Dorsey</a> &#8211; Creator &amp; CEO, <a class="zem_slink" title="Twitter" href="http://twitter.com" rel="homepage">Twitter</a></h2>
<p>Just interviewed The President using crowdsourced questions from Twitter. Twitter. A social media tool that has archived millions of impressions from people around the world and is on the way to becoming so ubiquitous that it&#8217;s considered a utility by some. Elegant simplicity and craftsmanship are his weapons. I think he knows a thing or two about designing a communication <em>enterprise</em>.</p>
<h2></h2>
<div class="wp-caption alignright" style="width: 286px"><a href="http://www.guardian.co.uk/technology/2011/mar/14/andy-carvin-tunisia-libya-egypt-sxsw-2011"><img class=" " title="carvin" src="http://static.guim.co.uk/sys-images/Technology/Pix/pictures/2011/3/15/1300202356453/Andy-Carvin-007.jpg" alt="" width="276" height="166" /></a><p class="wp-caption-text">Image via The Guardian.</p></div>
<h2><a href="http://twitter.com/acarvin" target="_blank">Andy Carvin</a> &#8211; Senior Strategist, <a class="zem_slink" title="NPR" href="http://www.npr.org" rel="homepage">NPR</a></h2>
<p>&#8220;The Crowdsorceror&#8221; who mounted a one-man content curation campaign in realtime around popular protests and demonstrations in the Middle East that later became known as the Arab Spring. Compelling, earnest believer in the power of people. His examples inspire legions of communicators to standing applause at his speaking engagements. To Carvin, community comes first. Imagine his style of realtime information gathering applied to intelligence or information operations problems.</p>
<h2></h2>
<div class="wp-caption alignleft" style="width: 196px"><a href="http://www.mediabistro.com/tvnewser/jon-stewart-joining-911-memorial-foundation-board_b50475"><img class="  " title="stewart" src="http://www.mediabistro.com/tvnewser/files/2010/12/Jon-Stewart-2.jpg" alt="" width="186" height="182" /></a><p class="wp-caption-text">Image via TVNewser</p></div>
<h2><a class="zem_slink" title="Jon Stewart" href="http://en.wikipedia.org/wiki/Jon_Stewart" rel="wikipedia">Jon Stewart</a> - Host, The Daily Show</h2>
<p>America&#8217;s funnyman turned mega-popular fake news host, consumed by millions of Americans as &#8220;real&#8221; news. Despite obvious satirical takes on journalism, staunchly defends That Which Is Right by attacking The Wrong, from Fox News insidiousness to Cramer&#8217;s role in puffing up the housing crisis. Genuinely loves America. Imagine his tenure leading government international broadcasting efforts.</p>
<h2></h2>
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<div class="wp-caption alignright" style="width: 250px"><img class="  " title="hwang" src="http://farm4.static.flickr.com/3599/3436521883_aa65fea8ef.jpg?v=0" alt="" width="240" height="160" /><p class="wp-caption-text">Image via brosephstalin.com</p></div>
<h2></h2>
<h2></h2>
<h2><a href="http://twitter.com/timhwang" target="_blank">Tim Hwang</a> &#8211; Founder, <a class="zem_slink" title="Web Ecology Project" href="http://webecologyproject.org/" rel="homepage">Web Ecology Project</a>, <a class="zem_slink" title="The Awesome Foundation" href="http://awesomefoundation.org/" rel="homepage">The Awesome Foundation</a>, and The Institute for Higher Awesome Studies</h2>
<p>A philosophical cog caught between the wheels of web analytics and netnography. Cultural researcher and student of human interaction offline, online, and elsewhere. Observer of society, real and imagined. Teamed with the right agencies, his timely insights about social communities could make <strong><em>AWESOME</em></strong>the work of thousands of government communication professionals.</p>
<h2></h2>
<div class="wp-caption alignleft" style="width: 154px"><img class="  " title="wilson" src="http://res.sys-con.com/story/apr09/927768/Fred%20Wilson%20Twitter_0.jpg" alt="" width="144" height="144" /><p class="wp-caption-text">Image via AV.com</p></div>
<h2><a href="http://twitter.com/fredwilson" target="_blank">Fred Wilson</a> &#8211; Venture Capitalist and Managing Partner, <a class="zem_slink" title="Union Square Ventures" href="http://www.unionsquareventures.com/" rel="homepage">Union Square Ventures</a></h2>
<p>Social entrepreneur and investor in socially transformative technologies. Believes in the transcendant like Hashable, Etsy, Foursquare, <a class="zem_slink" title="Glue" href="http://getglue.com/" rel="homepage">GetGlue</a>, Kickstarter, and more. Blogs regularly about the whys and wherefores, the how-to&#8217;s, and the aspirational dreams of his investments. Imagine a federal executive who apportions program funding according to the good of society versus short-term gains or even strategic objectives.</p>
<h2></h2>
<div class="wp-caption alignright" style="width: 132px"><img class="   " title="thiel" src="http://cache.gawker.com/assets/resources/2007/12/peterthielsuit.jpg" alt="" width="122" height="156" /><p class="wp-caption-text">Image via Gawker.</p></div>
<h2><a class="zem_slink" title="Peter Thiel" href="http://en.wikipedia.org/wiki/Peter_Thiel" rel="wikipedia">Peter Thiel</a> - Serial VC, Hedge Fund Manager</h2>
<p>Avowed investor in the impossible, from artificial intelligence to social networks like Facebook to data analytics supergiants like Palantir. Believer in not just debating future technology and social innovation but <em>making it happen.</em> Convener of social creatives to discuss building an objective American future. Elusive yet visionary. Skates the edge of politics with controversial libertarian-esque views on economics and democracy, a modernist perspective badly required by an ever evolving communications ecosystem.</p>
<h2></h2>
<div class="wp-caption alignleft" style="width: 134px"><a href="http://bookgalaxo.com/2010/11/07/tony-hsiehs-biography/"><img class="  " title="hsieh" src="http://bookgalaxo.com/wp-content/uploads/2010/11/tonyhsieh.jpg" alt="" width="124" height="181" /></a><p class="wp-caption-text">Image via bookgalaxo.com</p></div>
<h2><a href="http://twitter.com/zappos" target="_blank">Tony Hsieh</a> &#8211; CEO, Zappos</h2>
<p>The man who brought happiness to millions and made fun a core capability of his company. Committed to making the world a happier place, a mission sorely needed in the personnel departments of hundreds of government agencies.</p>
<h2><a class="zem_slink" title="John Lasseter" href="http://en.wikipedia.org/wiki/John_Lasseter" rel="wikipedia">John Lasseter</a> - Chief Creative Officer, Pixar</h2>
<p>The man who built an animated powerhouse out of a tiny studio no one believed would succeed. Since producing some of the most endearing animated films in the modern age, has merged his multibillion dollar studio with Disney to usher in a new era of Imagineering. Our communications enterprise, currently swarmed with ill-trained personnel that barely understand the social phenomena happening around them, requires creativity of this man&#8217;s magnitude.</p>
<div class="wp-caption aligncenter" style="width: 466px"><a href="http://screencrave.com/2010-06-24/john-lasseter-will-co-direct-cars-2/"><img class=" " title="lasseter" src="http://screencrave.frsucrave.netdna-cdn.com/wp-content/uploads/2009/09/John_Lasseter09-9-14.jpg" alt="" width="456" height="286" /></a><p class="wp-caption-text">Image via Screencrave.com</p></div>
<h2></h2>
<div class="wp-caption alignright" style="width: 190px"><img class=" " title="lee" src="http://www.headshift.com/our-blog/wp-content/themes/coldharbour/images/profiles/lee.bryant_3.jpg" alt="" width="180" height="132" /><p class="wp-caption-text">Image via Headshift.com</p></div>
<h2><a href="http://twitter.com/leebryant" target="_blank">Lee Bryant</a> &#8211; Co-founder &amp; Director, Headshift</h2>
<p>A social business maestro, he advocates for clients to change the way they do business instead of simply hanging shiny new social media toys on their websites. Understands the complex challenges of technology&#8217;s promises and shortcomings in solving organizational and communications problems. Also, very British.</p>
<h2></h2>
<div class="wp-caption alignleft" style="width: 218px"><a href="http://www.huffingtonpost.com/2010/05/11/featured-doer-baratunde-t_n_572458.html"><img class=" " title="baratunde" src="http://i.huffpost.com/gen/165228/thumbs/s-BARATUNDE-THURSTON-large.jpg" alt="" width="208" height="152" /></a><p class="wp-caption-text">Image via The Huffington Post</p></div>
<h2><a href="http://twitter.com/baratunde" target="_blank">Baratunde Thurston</a> &#8211; Vigilante Pundit, The Onion</h2>
<p>Champion for The Right in all things Wrong. Outspoken advocate for diversity, a trait we see too rarely in government. His infectious influence could inspire legions of public diplomats, strategic communicators, and information operators at all levels. Laughter mandating shot caller of madness. Imagine his effect teaching communicators in institutions across government how to be <strong><em>AWESOME</em></strong> and not just govvies.</p>
<h2><span class="Apple-style-span" style="font-size: 20px;"><a href="http://en.wikipedia.org/wiki/David_Kilcullen" target="_blank">David Kilcullen</a> &#8211; Counterinsurgency Guru</span></h2>
<p>An early advocate of fighting ideologically against al-Qaeda versus hand-to-hand. Believer in people-focused counterinsurgency security. Sees war as competition managed by influence instead of shootouts and bombings. Widely regarded as the smartest man on the planet when it comes to strategically understanding the wars of the future. If the Defense Department continues playing in deployed communications &#8211; and it will &#8211; then it will need a shamanic leader like this man to responsibly pilot the interagency minefields such across-the-board coordination that will require.</p>
<div class="wp-caption aligncenter" style="width: 490px"><a href="http://www.washingtonian.com/blogarticles/News%20&amp;%20Features/capitalcomment/13122.html"><img class=" " title="kilcullen" src="http://www.washingtonian.com/page_dbimages/13122/Insider_9018.jpg" alt="" width="480" height="320" /></a><p class="wp-caption-text">Image via The Washingtonian</p></div>
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<div class="wp-caption alignleft" style="width: 190px"><a href="http://commons.wikipedia.org/wiki/File:Robert_Gates%2C_official_DoD_photo_portrait%2C_2006.jpg"><img class=" " title="Official portrait of United States Secretary o..." src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/10/Robert_Gates%2C_official_DoD_photo_portrait%2C_2006.jpg/300px-Robert_Gates%2C_official_DoD_photo_portrait%2C_2006.jpg" alt="Official portrait of United States Secretary o..." width="180" height="225" /></a><p class="wp-caption-text">Image via Wikipedia</p></div>
</div>
<h2><a href="http://en.wikipedia.org/wiki/Robert_Gates" target="_blank">Robert Gates</a> &#8211; Former Secretary of Defense; Former Director, CIA<span class="Apple-style-span" style="font-size: 13px; font-weight: normal;"> </span></h2>
<p>The ultimate honest broker in all things government. From his perch as SECDEF, fought interminable battles with service cultures and DOD dinosaurs, breaking down inflated budgets and streamlining operations. Put this same right-is-right tenacity to work reforming and leading the rehabilitation and redesign of America&#8217;s communication enterprise across agencies, and we will see magic.</p>
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<div id="attachment_1659" class="wp-caption alignright" style="width: 372px"><a href="http://www.mustbeawesome.com/wp-content/uploads/2011/07/9233_1157810197893_1606914438_30395368_4924660_n.jpg"><img class="size-full wp-image-1659 " title="9233_1157810197893_1606914438_30395368_4924660_n" src="http://www.mustbeawesome.com/wp-content/uploads/2011/07/9233_1157810197893_1606914438_30395368_4924660_n.jpg" alt="" width="362" height="272" /></a><p class="wp-caption-text">Mae Ferguson. Kind of a badass.</p></div>
<h2><a href="https://twitter.com/#!/sistermazie">Mae Ferguson</a> &#8211; President &amp; CEO, Fort Worth Sister Cities International</h2>
<p>People forget citizen and cultural diplomacy are cornerstone elements of strategic influence, and because of that, they remain ill coordinated with the rest of our national communication apparatus. Mae has the terrier-like tenacity and management expertise to round up the various bit parts of cultural programs and get them working properly in alignment with national influence goals. A long time nonprofit leader, she has achieved a lot with strangled budgets and limited personnel. Disclosure: she&#8217;s also my Mom. <img src='http://www.mustbeawesome.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<h1>Who am I missing?</h1>
<p>I know you&#8217;ve got some ideas about kermodial badasses we need to draft into service of our faltering national communication enterprise. Tell me who they are in the comments.</p>
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		<title>I&#8217;m Coming For You, Public Diplomacy!!!</title>
		<link>http://www.mustbeawesome.com/2011/07/im-coming-for-you-public-diplomacy/</link>
		<comments>http://www.mustbeawesome.com/2011/07/im-coming-for-you-public-diplomacy/#comments</comments>
		<pubDate>Tue, 12 Jul 2011 23:49:23 +0000</pubDate>
		<dc:creator>Du4</dc:creator>
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		<guid isPermaLink="false">http://www.mustbeawesome.com/?p=1595</guid>
		<description><![CDATA[&#160; Inspired by a recent reading of Warren Ellis&#8216; and Darick Robertson&#8216;s exceptional sci-fi journalism epic Transmetropolitan, I&#8217;m going guns up on a number of communications issues affecting the communities through which I circulate in DC. Ellis&#8217; self-described &#8220;outlaw journalist&#8221; Spider Jerusalem &#8211; fueled by copious amounts of drugs and madness in a delightful send-up [...]]]></description>
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<p>&nbsp;</p>
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<div class="wp-caption alignright" style="width: 169px"><a href="http://www.flickr.com/photos/97192694@N00/254129461"><img title="Spider Jerusalem" src="http://farm1.static.flickr.com/121/254129461_6697164256_m.jpg" alt="Spider Jerusalem" width="159" height="240" /></a><p class="wp-caption-text">Spider Jerusalem from Transmetropolitan. Image by Darek_Smid via Flickr</p></div>
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<p>Inspired by a recent reading of <a class="zem_slink" title="Warren Ellis" href="http://warrenellis.com" rel="homepage">Warren Ellis</a>&#8216; and <a class="zem_slink" title="Darick Robertson" href="http://en.wikipedia.org/wiki/Darick_Robertson" rel="wikipedia">Darick Robertson</a>&#8216;s exceptional sci-fi journalism epic <strong><em><a class="zem_slink" title="Transmetropolitan: Spider's Thrash (Transmetropolitan)" href="http://www.amazon.com/Transmetropolitan-Spiders-Thrash-Warren-Ellis/dp/1840234571%3FSubscriptionId%3D0G81C5DAZ03ZR9WH9X82%26tag%3Dzemanta-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D1840234571" rel="amazon">Transmetropolitan</a></em></strong>, I&#8217;m going <em>guns up</em> on a number of communications issues affecting the communities through which I circulate in DC. Ellis&#8217; self-described &#8220;outlaw journalist&#8221; <a class="zem_slink" title="Spider Jerusalem" href="http://en.wikipedia.org/wiki/Spider_Jerusalem" rel="wikipedia">Spider Jerusalem</a> &#8211; fueled by copious amounts of drugs and madness in a delightful send-up of <a class="zem_slink" title="Hunter S. Thompson" href="http://en.wikipedia.org/wiki/Hunter_S._Thompson" rel="wikipedia">Hunter S. Thompson</a> &#8211; promises his readership &#8220;The Truth. No matter what.&#8221; In his writing, Spider goes after all that is wrong with his beloved society, targeting everything from corrupt politicians to the public&#8217;s ignorance of special sub-cultures in their fine City. I find Spider&#8217;s epic story a galvanizing bullwhip across my back, forcing me off my Xbox-addled arse to write about some of the iniquities in government I see as part of my work. This will be just the first in a series of posts on subjects across the communications spectrum. <a href="http://www.youtube.com/watch?v=qheb3JyMHSU" target="_blank">I&#8217;m coming for ALL OF YOU.</a></p>
<p>Today, my first target is <em><a class="zem_slink" title="Public diplomacy" href="http://en.wikipedia.org/wiki/Public_diplomacy" rel="wikipedia">public diplomacy</a></em>.</p>
<h2>OMGWTF</h2>
<p>Readers of this blog should not be surprised by <a href="http://www.mustbeawesome.com/2011/02/public-diplomacy-for-awesome-people-the-du4-way/" target="_blank">my intense disappointment in the modern public diplomacy (or PD) community.</a>  Today&#8217;s premeditated murder was spurred on by my attendance and yet another PD gathering in Washington, DC: a meeting of the Advisory Commission on Public Diplomacy (ACPD). On the shores of our august capitol, PD enthusiasts, practitioners, and executives met to talk about the same retarded problems they have been since before the <a class="zem_slink" title="United States Information Agency" href="http://en.wikipedia.org/wiki/United_States_Information_Agency" rel="wikipedia">U.S. Information Agency</a>&#8216;s (aka the USIA) absorption by the State Department during the Clinton Administration. Panelists lamented continued lack of resources for PD initiatives, the imbalance between the State and Defense Departments in strategic communication capability, and a dilapidated piece of shitheel legislation called the <a class="zem_slink" title="Smith–Mundt Act" href="http://en.wikipedia.org/wiki/Smith%E2%80%93Mundt_Act" rel="wikipedia">Smith-Mundt Act</a> whose Cold War roots strangle in the crib any offspring of modern government communication and engagement initiatives.</p>
<p>At issue for you oppressed, tax-fucked Americans?<em> These same people have debated this same issue for a decade with no charted course for reform</em>.</p>
<div class="wp-caption alignleft" style="width: 335px"><img title="hunter" src="http://www.toptenz.net/wp-content/uploads/2010/06/Hunter-S-Thompson-pointing-gun-at-typewriter.jpg" alt="" width="325" height="480" /><p class="wp-caption-text">Hunter S. Thompson would have brain-smacked you all by now. Be thankful for my gonzo. Moo hoo ha ha. (Image from TopTenz.net. Comedy shamelessly ripped off of Warren Ellis.)</p></div>
<p>&#8220;That&#8217;s not fair!&#8221; some asshole will undoubtedly object, choking himself masturbatorially on reams of &#8220;DipNotes&#8221; from PD officers both home-based and overseas, begging our pardon thank you very much, &#8220;We have changed SO. MUCH. in the Obama Administration!&#8221; Let not these purported achievements fill you with comfort, dear seekers of <strong><em>AWESOME</em></strong>, for they elicit mere &#8220;yays&#8221; from the govvies roaming the halls of cavernous Main State and snickering derision from their interagency compatriots behind the green doors of MacDill and Bragg and Langley. Progress made under <a class="zem_slink" title="Judith McHale" href="http://en.wikipedia.org/wiki/Judith_McHale" rel="wikipedia">Judith McHale</a>&#8216;s reign as <a class="zem_slink" title="Under Secretary of State for Public Diplomacy and Public Affairs" href="http://www.state.gov/r/" rel="homepage">Under Secretary of State for Public Diplomacy and Public Affairs</a> registers as little more than a cursory reshuffling of office space for most of the strategic communication community. Progress that scores an administration enough points for a minor electoral anecdote but changes <em><strong>nothing</strong></em>. In fact, Dame Judith hung her Mission Accomplished banner on July 1st and dashed back to the private sector, a political appointment weighing under her belt for new boardroom dances with wolves.</p>
<p>They define &#8220;progress&#8221; as anything more than what the last administration achieved. The politicization of public diplomacy continues. Even PD Jesus Bruce Gregory&#8217;s voice cracked with torpor as he queried the Commission about any indication of motivation amongst The Bastards of Capitol Hill to make revising legislation like Smith-Mundt a priority. No one could answer with anything but googly-eyed evasion and exhortations of more progress. All bullshit.</p>
<p>Key to these liver spotted deliberations is the disconcerting lack of any personage on the Commission the age of, it seems, 60? 50? 40? Said Commissioners are charged with advising the White House and Congress on the current state of PD and any required changes. Have these venerable veterans achieved any of these changes in the past? NO. Debates continue unabashed under their scrutiny, but ultimately, no capable young saviors have appeared to dash the fuckery of this decrepit profession into some semblance of modernization. Instead, more meetings. Many, many meetings.</p>
<p>Is PD even a necessary discipline in the 21st century? This existential question should be considered by this Commission and more. Panelists admitted that as communication becomes more social and content ownership franchises more to the individual&#8230; does a government agency have any equitable place in this modern communication continuum? How much of said agency&#8217;s budget could be repurposed into something more effective, especially in This, Our Decade of Economic Anal Probity?</p>
<p>In truth, <em>some kind</em> of coordinative communication apparatus is probably mandated, but a standalone office of diplomats still trying to get Teh Brown Peeples to read our press releases is not the answer. The profession of public diplomacy itself has even been attacked indirectly by the wild success of independent <em>citizen</em> diplomacy efforts. As much as foreign cultures balk at the elitist diplomacy practiced by our leaders, they clamor for more of US. OUR people. Our CITIZENS and THEIR culture. It is THIS influence, the kind Americans exude in their daily interactions with EVERYONE, that fosters our best destiny in achieving any kind of global equilibrium where U.S. interests and foreign policy objectives are met.</p>
<h2>So. What to do?</h2>
<h3>Less bullshittery. More <em>AWESOME</em>.</h3>
<p>We need not more reportage of the latest personnel changes in State PD to accommodate engagement with people of different cultures online. Instead, we need INSANE RISK TAKING. We need programs that make managers shit their pants. We need BOLDNESS. We need MADNESS. We need BETTER. Everyone lives in fear of breaking the law (i.e., Smith-Mundt), but no one has ever been prosecuted much less <em>charged</em> for it. <em>COWBOY UP, PEOPLE.</em></p>
<h3>Retire the old. Empower the new.</h3>
<p>If PD is to survive, it needs to stop chasing off all its talent. Instead of rewarding the tired old Foreign Service Officers in their Cold War era suits with prime postings and political appointments, recruit badass social communicators and rockstars. Were I the President, I&#8217;d beg Jack Dorsey to fix my State Department. I&#8217;d heap tons of cash upon Katie Stanton and Jared Cohen to keep challenging the system instead of being chased off by white-faced, skeleton-eyed Statey lifers. It&#8217;s time for PD to evolve and kill its parents.</p>
<h3>Flexible, dynamic interagency doctrine.</h3>
<p>Christopher Paul, RAND analyst and a speaker at the ACPD meeting, noted voluminous mountains of reports all describing the same problems with the US government&#8217;s PD and strategic communication enterprise. All of them, he said, cited failures in strategy, leadership, and resources. While this is true, understand that they can only be fixed with <em>doctrine&#8211; </em>legislated, enforceable operating procedures that name the leader and give them authority, power, and dollars. Said doctrine should be written and executed dynamically and train its future communications professionals to a standard of dynamism instead of the usual tired old PD goals shat out by Foreign Service Institute instructors.</p>
<h3>An organization&#8230; or not?</h3>
<p>Since PD people love to retread the same issue over and over, the ACPD discussion inevitably turned toward the idea of a rehabilitated USIA of the future or some such public/private organization that could strategically execute funding for PD or strategic communication programs. If you think this is the solution to your PD problems, I refer you to the abortion that is the Office of the Director of National Intelligence for a case study in placenta cannibalization. Ultimately, we will not know if a new organization is needed until we agree upon one final yet primarily critical issue.</p>
<h3>Communication is communication is communication.</h3>
<p>In the ecosystem of government influence, we have public diplomacy. We have strategic communication. We have military information operations and its subordinate components. We have public affairs. We have countless different ways of describing the same thing, mainly because Our Bastardry In Office refuse to modernize legislation and policy to reflect the present day much less prepare for the ever-fluid yet super-<strong><em>AWESOME</em></strong> future. Instead of rewriting arcane definitions and arguing them over interagency turf, we need a frank and fundamental understanding by our <em>entire government</em> that all of these things are <em>influence</em> and <em>communication</em> is the mechanism by which we engage that influence, be it passively or actively, openly or surreptitiously. We need a pedigree for professionals charged to operate in this ecosystem and high qualifications for the ones assigned to advise senior leaders and decision makers.</p>
<h2>Hope Is Not Lost</h2>
<p>It sounds doomy and gloomy from the PD pulpit, doesn&#8217;t it? Well, here&#8217;s another lovely fact for you to chew on: NOBODY CARES. That&#8217;s right. Outside of DC, Americans could care less about a minuscule communication discipline practiced by a cadre of foggy eyed concerto directors and staffs of douchebags wielding postgraduate degrees from learning institutions designed to pump out partisanly political clones year after year.</p>
<p>Within this black hole of apathy lies <em>opportunity</em>. While no one is looking, those with the drive and the passion to <em>make</em> change &#8211; not ask for it &#8211; can turn the modernization of PD into an ecstasy fueled RAVE. The Executive Branch needs not the pusillanimous posturing of political poobahs on the Hill to create true strategic communication primacy in government <em>right now</em>. But to make permanent visionary change, we will eventually need to rustle Congress into the pasture of the future.</p>
<p>To achieve this, however, we need YOU &#8211; that&#8217;s right, <strong><em>YOU</em></strong> &#8211; to get up off your ass and MAKE THIS AN ISSUE. Every time you vote for the guy who likes to tweet dick pics to his mistresses, you screw us out of balanced, effective decisions. <em>Stop sending immense wankers to DC.</em></p>
<h2>Next Time On <em>Strategic Communication Theater&#8230;</em></h2>
<p>In subsequent posts, we&#8217;ll explore more about what this weird world of strategic communication and influence looks like from Washington. Many of you dear <strong><em>AWESOMESAUCERS </em></strong>have no idea what I&#8217;m talking about, and that&#8217;s part of the problem. So look for a series of &#8220;WTF&#8230;?&#8221; posts detailing simple explanations of complex processes, systems, and disciplines related to Our National Communication Nightmare.</p>
<p>The gloves come off.</p>
<h6 class="zemanta-related-title" style="font-size: 1em;">Related articles</h6>
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		<title>Racists Totally Freak Out Over Muslim &#8220;Batman of Paris:&#8221; A ComicsAlliance Article</title>
		<link>http://www.mustbeawesome.com/2011/06/racists-totally-freak-out-over-muslim-batman-of-paris-comicsalliance-comic-book-culture-news-humor-commentary-and-reviews/</link>
		<comments>http://www.mustbeawesome.com/2011/06/racists-totally-freak-out-over-muslim-batman-of-paris-comicsalliance-comic-book-culture-news-humor-commentary-and-reviews/#comments</comments>
		<pubDate>Mon, 13 Jun 2011 13:28:52 +0000</pubDate>
		<dc:creator>Du4</dc:creator>
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		<description><![CDATA[via comicsalliance.com Great article and great subsequent comments on the controversy of DC&#8217;s &#8220;Muslim Batman of Paris.&#8221; When I wrote earlier in the year about Islam being the elephant in the room, instances like this act as indicators that people are beginning to deal with the implications of modern Islam. More importantly, I think it&#8217;s [...]]]></description>
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<div class="p_embed p_image_embed"><a href="http://posterous.com/getfile/files.posterous.com/du4/wbGjtkgkGcEhtCAhmuslnEbuazGhfaflJqpxDAkCmphmyyxnInlxEstklDIl/media_httpwwwblogcdnc_fJDie.jpg.scaled1000.jpg"><img src="http://posterous.com/getfile/files.posterous.com/du4/wbGjtkgkGcEhtCAhmuslnEbuazGhfaflJqpxDAkCmphmyyxnInlxEstklDIl/media_httpwwwblogcdnc_fJDie.jpg.scaled500.jpg" alt="Media_httpwwwblogcdnc_fjdie" width="500" height="767" /></a></div>
<div class="posterous_quote_citation">via <a href="http://www.comicsalliance.com/2010/12/28/racists-batman-muslim-paris/">comicsalliance.com</a></div>
<p>Great article and great subsequent comments on the controversy of DC&#8217;s &#8220;Muslim Batman of Paris.&#8221; When I wrote earlier in the year about <a class="zem_slink" title="Islam" rel="wikipedia" href="http://en.wikipedia.org/wiki/Islam">Islam</a> being the elephant in the room, instances like this act as indicators that people are beginning to deal with the implications of modern Islam. More importantly, I think it&#8217;s encouraging that those dealing with it are working out the issues involved in a medium like comics where illustrated drama can be employed to create a modern fable about these issues. Be sure to leave a comment at the link.</p>
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		<title>Friday from the Cheap Seats at Comic Book Resources: Reposting More DC Comics Relaunch Commentary</title>
		<link>http://www.mustbeawesome.com/2011/06/friday-from-the-cheap-seats-comics-should-be-good-comic-book-resources/</link>
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		<pubDate>Mon, 13 Jun 2011 13:16:52 +0000</pubDate>
		<dc:creator>Du4</dc:creator>
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		<description><![CDATA[Here&#8217;s a really thoughtful analysis of DC&#8217;s relaunch plans now that all 52 titles and creative teams have been revealed. The 5th thought is particularly well reasoned: I appreciate the fact that this comics journalist is looking outside the bounds of the traditional comics community where DC Entertainment is obviously hunting new readers. Kudos to [...]]]></description>
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<p><em>Here&#8217;s a really thoughtful analysis of DC&#8217;s relaunch plans now that all 52 titles and creative teams have been revealed. The 5th thought is particularly well reasoned: I appreciate the fact that this comics journalist is looking outside the bounds of the traditional comics community where <a class="zem_slink" title="DC Comics" rel="homepage" href="http://www.dccomics.com/">DC Entertainment</a> is obviously hunting new readers.</em></p>
<p><em>Kudos to <a class="zem_slink" title="Comic Book Resources" rel="homepage" href="http://www.comicbookresources.com">Comic Book Resources</a> for the solid, objective analysis.</em></p>
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<h3>Friday from the Cheap Seats</h3>
<div>June 3, 2011 @ 01:00 PM</div>
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<div><img src="http://1.gravatar.com/avatar/19c37f9bcb9958ec571b6449ceaf954d?s=48&amp;d=http%3A%2F%2Fgoodcomics.comicbookresources.com%2Fwp-content%2Fgravatars%2Fdefault.jpg%3Fs%3D48&amp;r=PG" alt="" width="48" height="48" /></div>
<ul>
<li>by <strong><a title="Posts by Greg Hatcher" href="http://goodcomics.comicbookresources.com/author/greg-hatcher/">Greg Hatcher</a></strong></li>
<li>in <a title="View all posts in Fridays...with Greg Hatcher" rel="category tag" href="http://goodcomics.comicbookresources.com/category/fridayswith-greg-hatcher/">Fridays&#8230;with Greg Hatcher</a></li>
<li><a title="Comment on Friday from the Cheap Seats" href="http://goodcomics.comicbookresources.com/2011/06/03/friday-from-the-cheap-seats/#comments">103 Comments</a></li>
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<p>So, have we all calmed down a little bit about DC now?</p>
<p>I keep having thoughts and reactions to the whole hullaballoo, and I have jotted a few of them down. Some speculation and spitballing and kibitzing from the sidelines. In no particular order.</p>
<p><strong>First thought:</strong><em>This sounds eerily familiar.</em> Then I realized it was because I pretty much <strong><a href="http://goodcomics.comicbookresources.com/2007/08/31/friday-at-the-big-bang-maybe/" target="_blank"><em>dared</em> them to do it in this column from 2007. </a></strong></p>
<p><strong>Second thought</strong> wasn’t mine, it was from sometime CBR writer Beau Yarborough. But I loved it so much I’m putting it up here: “Now we’ll get to see what <em><a class="zem_slink" title="Crisis on Infinite Earths" rel="wikipedia" href="http://en.wikipedia.org/wiki/Crisis_on_Infinite_Earths">Crisis on Infinite Earths</a></em> would have looked like with the internet.”</p>
<p><strong>Third thought:</strong> Can we please <strong><em>not</em></strong> do origins again?</p>
<div><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd10.jpg" alt="" width="224" height="300" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd8.jpg" alt="" width="196" height="300" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd6.jpg" alt="" width="193" height="300" /><br />
<img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd7.jpg" alt="" width="206" height="319" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd9.jpg" alt="" width="202" height="319" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd5.jpg" alt="" width="196" height="319" />Seriously. Please let&#8217;s not.</p>
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<p><strong>Fourth thought:</strong> All the online chatter is about the books, costume changes, <a class="zem_slink" title="Grant Morrison" rel="homepage" href="http://www.grantmorrison.com">Grant Morrison</a>. Seems like the digital app is the bigger story here, but even <em>USA Today</em> was geeking out over costume changes.</p>
<p>But the digital thing seems like the more important piece. By rolling out digital comics on the same day as print, DC is effectively undercutting the retailer network they depend on. Of course, with piracy and torrenting such a part of online culture, to <em>not</em> put the digital books out the same day as the print versions would invite any guy with a scanner and a willingness to share the goods to undercut the new digital line.</p>
<p>So DC is betting that the hardcore fans are such creatures of habit that it won’t hurt retailers too badly to do simultaneous release of print and digital — at least, not as badly as it would hurt DC themselves in the digital market to give print retailers a day or two of advance sales room. Is that a good gamble? Is DC so sure of the 60,000 Wednesday faithful that this seems like a good move to them? Guess so.</p>
<p><strong>Fifth thought:</strong> I’m seeing a truly <em>amazing</em> amount of criticism about “DC abandoning loyal fans.” Stop a minute and let’s break that down.</p>
<p>I’m Diane Nelson, or whoever, a DC/Time-Warner publishing bigwig. Here are the puzzle pieces I have to work with:</p>
<p>* I have control over the intellectual property rights to some of the most recognizable and beloved fictional characters on the planet Earth.</p>
<p>* Despite the first item, my line of publications I have telling stories about those characters is foundering. Sales continue to drop and a significant number of folks out in the public at large don’t even know those publications still exist.</p>
<p>* My cash flow is dependent on roughly 60,000 or so hardcore hobbyists and collectors buying my books from a relatively low number of specialty retailers who order those books three months in advance based on what my distributor tells them I’m going to be doing. I have some other income from bookstores for collections of previously-published material but my day-to-day choices have, of necessity, been largely governed by catering to this specialty market.</p>
<p>* My staff and creative talent, for the most part, is drawn from this same narrowly-defined demographic, the hobbyist pool. They are fans-turned-pro and this is all they know.</p>
<p>* <em>No matter what I do,</em> that specialty market continues to get smaller. Year after year, long-term, I lose more readers than I gain. I know that I’ve put all my eggs in a steadily-shrinking basket but I had no choice at the time, and now it’s too late.</p>
<p>* Paper and production costs continue to go up. I have tried raising prices but I seem to have hit a ceiling of what people will pay for one of my regular monthly magazines at $2.99. This means that, again, <em>no matter what I do</em> my comics magazines will cease to turn a profit at that $2.99 price, probably within five years. I price my books higher than $2.99 and I lose readers in droves. It’s a no-win.</p>
<p>* Creator rates also are going up, and worse, a rock-star hierarchy has evolved where both myself and my rivals are forced to try to lock up proven talent with expensive “exclusive” contracts. This is more money in overhead that I have to somehow get back by selling stories to the specialty hobbyist market of readers… that is shrinking, that won’t pay more than $2.99 for a comic, that eventually go away no matter what.</p>
<p>* Meanwhile, while I struggle to get someone besides obsessed hobbyists to even read my books, I see movies about my characters and their equivalents from competing publishers make millions of dollars in revenue all over the world. Moreover, I can see from bookstores that there are genre-fiction publication series with continuing characters that have a staggeringly huge readership compared to mine.</p>
<div><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd11.jpg" alt="" width="316" height="450" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd12.jpg" alt="" width="300" height="450" />If I&#8217;m DC I have to be thinking&#8230;&#8217;While I&#8217;m killing myself publishing for hobbyists, these other continuing character genre franchises are making money hand over fist. How do I get a slice of that??&#8217;</p>
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<p>The San Diego Comic-Con has become a cultural phenomenon. The hunger for the kind of fiction I publish has clearly never been greater. Yet despite this, not to mention a name familiarity with my characters that is <em>planet-wide, </em>somehow I can’t ever seem to shift any of those millions of fantasy-craving readers over to what I actually publish. My entire house of cards is dependent on the steadily-shrinking number of hardcore fans. The last decade of my publication history has been a series of increasingly desperate attempts to keep them hooked on my comics.</p>
<p>All right? <em>That’s</em> what Diane Nelson-slash-DC-bigwig sees when she looks at her balance sheet. You tell me <strong>any way</strong> she has to try and turn the ship around and bring reader numbers up <strong>without</strong> abandoning the fan market in favor of opening up new ones. If I’m Diane Nelson I am going to be looking <em>actively</em> for ways to shift my focus away from those fans and try to somehow get my cash flow coming from some other income stream…ideally more than one. But I have to try to do it in such a way that doesn’t completely alienate and piss off those hardcore-fan readers that currently finance my publishing house while I’m trying.</p>
<p>You look at it that way and what comes out?</p>
<p>* A major ‘event story,’ something the fans seem to want every year, but this one is designed to wrap up the specialty-style of telling stories and replace it with a line of accessible comics for the general public. Letting the fans down easy, in a way that invites them along for the next phase.</p>
<p>* A new way of delivering those new, replacement comics to a mass audience.</p>
<p>Is digital the best option for this new delivery system? Probably not — I think successful digital comics will be formatted differently than print ones, so just selling print scans is probably not the best way to do it. (Imagine trying to read something like <em>JSA All-Stars</em> with its color-coded captions and scratchy art on an iPhone.) But on the other hand, it’s insane to start a new line of digital-only books with no ties to the print ones, it would be a whole second publishing operation. If I’m DC, I’m thinking it’s best to somehow repurpose my print line for digital distribution.</p>
<p>In other words, DC is trying desperately for mass distribution of some kind. I imagine the reasoning is that someone’s going to crack the digital market and why not them? Digital may not be the best choice overall but it seems like it’s the <em>only</em> one left to reach a <em>mass</em> audience.</p>
<p>So really, what should DC do differently? I may quibble with the execution or the personnel involved but the <strong>plan</strong> seems sound. Print distribution options and publishing overhead are such that this plan is the only choice left, really.</p>
<p>Therefore, if it’s a new market they are going after and not crabby old guys like me, DC needs a new line of stuff to offer them.</p>
<div><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd4.jpg" alt="" width="354" height="500" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd3.jpg" alt="" width="250" height="500" />I want to aim my culturally-well-known characters at a mass audience. Do I do a new chapter in the old story or do I just start fresh? What choice USUALLY works with a young audience?</p>
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<p>Think about it. In practical terms DC has the resources to publish <em>one</em> line of superhero comics. (Remember, looking at the record, we have many, many examples of failed attempts to publish multiple lines…. starting with the New Universe on up to Minx and Marvel’s Ultimate line.) Who would you go after? The “loyal fans”? Or all those other potential readers out there? I don’t see any way where the fans <em>don’t</em> take a back seat to a general readership.</p>
<p>Oh, yeah… which reminds me…<em>this is how it works in virtually every other form of popular fiction. </em>Only in superhero comics do we have things the other way around, where hardcore fans are the majority of consumers. Generally, in popular fiction, you toss a couple of bones to your fans when you reboot, but it’s the general audience you go after <em>hard.</em></p>
<div><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd2.jpg" alt="" width="335" height="430" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd1.jpg" alt="" width="287" height="430" />Is anyone going to tell me these genre series reboots would have done better at the box office by dismissing the general audience and writing strictly for the hardcore fans instead?</p>
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<p>And honestly, if we still want DC and Marvel superhero comics ten years from now, I think it’s going to have to switch back to general-audience-first for the approach to creating those comics as well. Sorry, loyal fans, but those are the hard facts. We need the mass audience if we want the books to stay alive.</p>
<p><strong>Sixth thought:</strong> The last time DC tried this was in 1985 and 1986, the early “post-Crisis” years if you like. Those were amazing times for DC. The whole line seemed energized with possibility.</p>
<div><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2007/11/book47.jpg" alt="" width="205" height="310" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2007/11/book52.jpg" alt="" width="202" height="310" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2007/11/book49.jpg" alt="" width="202" height="310" /><br />
<img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2007/06/Aquaman2.jpg" alt="" width="200" height="310" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2007/11/book51.jpg" alt="" width="204" height="310" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2007/11/book61.jpg" alt="" width="201" height="310" />To all those complaining that this is just the 1980s all over again, I reply: FINE WITH ME.</p>
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<p>It wasn’t just <em>Crisis on Infinite Earths</em> itself. It was the corollary that <strong>now it was permissible to try new things at DC </strong>with the old characters. Yeah, sure, for continuity-minded fans it was a nightmare to try and figure out what ‘counted’ and what didn’t, it often seemed like the different editors weren’t ever checking with one another, it was a mess if you were looking for a consistent history of the DC universe.</p>
<p>But the vast majority of us didn’t care because we were having a <em>great</em> time. It wasn’t just that DC was suddenly doing things like <em>Dark Knight</em> and <em>Watchmen.</em> It was that we also were getting amazing stuff just on the monthly books. <em>Green Lantern Corps</em> and the new Wally West <em>Flash</em> and <em>Justice League International</em> and <em>Suicide Squad</em> and <em>The Question</em> and…. criminy, I could go on and on. It was a renaissance.</p>
<p>If nothing else, this new initiative looks promising to me simply because of that same vibe, the idea that DC is looking to <strong>really</strong> take some chances in a good way. There’s an intangible morale-building factor in there for creators who’ve been given permission to genuinely try new stuff without worrying about offending longtime readers. That alone, the “Really! A <em>genuine</em> fresh start!” feeling that goes with doing something like this that you don’t get with just a “One Year Later” or “Brand New Day” or whatever, could lift this effort up considerably. We might see some extraordinary work from creators who we’ve previously dismissed as merely dependable second-tier journeyman writers and artists.</p>
<p><strong>Seventh thought:</strong> Props to longtime CSBG commenter T., who predicted that <em>Flashpoint</em> was DC’s way to get back to the “Big 7″ Justice League (or the “real” Justice League as some of us think of them.) Good call there, T.</p>
<p>I’ll see his prediction and raise it by saying that this is going to be DC’s way to walk back <em>everything </em>that is inconvenient after decades of continuity. Probably we’ve also seen the last of movie-unfriendly ideas like the Lois and Clark marriage, and anyone other than Bruce Wayne being Batman, and quite possibly even the multiple Flashes. If you’re going to have yet another Crisis, even if you’re calling it “Flashpoint,” use it to do <em>all</em> your housecleaning.</p>
<p><strong>Eighth Thought:</strong> If DC is serious about its digital initiative being the new way to get a general readership, they better get their editorial heads around the idea that this will mean hitting deadlines no matter what late-running <em>prima donna</em> rock star creators they have on the books.</p>
<p>Seriously, digital audiences want their updated content on time. Look at what Brian goes through just to make sure we have fresh content <em>here</em> all the time. A stable of five or six regular writers, a Month of this, a Year of that, all sorts of rotating regular features just to make sure we’ve got new stuff up here <em>every day. </em></p>
<p>DC better realize that the first time they miss a week with all these hot new titles, they’re in trouble. The days of letting the genius take an extra three months on the fourth chapter of the epic are over.</p>
<p>And one <strong>Final Thought:</strong> Conceptually, all the new titles announced so far <em>sound</em> very promising.</p>
<p>However– there’s always a “however”–</p>
<p>–I’m not at all sure <em>these particular creators</em> have the chops to pull off another 1986-style DC renaissance.</p>
<div><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2008/09/frat12.jpg" alt="" width="305" height="470" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd.jpg" alt="" width="307" height="470" />We are talking about THESE guys, after all. Are they the best choice to usher in a new general-audience-friendly DC renaissance?</p>
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<p>Especially looking at the record of the various skeevy arrested-adolescent ultraviolence and misogyny-driven misfires we’ve seen at DC in the last five years. I’m still optimistic, but I’m <em>cautiously</em> optimistic.</p>
<p>I certainly hope that along with titles and delivery systems and formats and character histories, some DC <strong>editorial policies</strong> are going to change too, or this is going to tank harder and faster than Marvel’s New Universe. Imagine what <em>that</em> late 1980s comics event would have been like with the internet.</p>
<div><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd13.jpg" alt="" width="204" height="310" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd15.jpg" alt="" width="204" height="310" /><img src="http://goodcomics.comicbookresources.com/wp-content/uploads/2011/06/nerd14.jpg" alt="" width="201" height="310" />Can you imagine a fumble this big today? It would create a comics-internet-snark HOLOCAUST.</p>
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<p>All that being said…. I’ll always have a special place in my heart for DC and their stable of characters. I grew up with them. I wish them well. I am hoping for the best.</p>
<p>So after all that back-and-forth it still comes down to, “Let’s wait and see.” I wish it was something more profound than that, but it is what it is. Sometimes that’s all you’ve got.</p>
<p>See you next week.</p>
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		<title>Digital Comics: DC Shows Everyone Just How Big Their Dick Is</title>
		<link>http://www.mustbeawesome.com/2011/06/digital-comics-dc-shows-everyone-just-how-big-their-dick-is/</link>
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		<pubDate>Wed, 01 Jun 2011 21:03:31 +0000</pubDate>
		<dc:creator>Du4</dc:creator>
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		<description><![CDATA[The big news yesterday hit that DC Comics will reboot their entire line of comic books beginning in September: all new #1&#8242;s, all new creative teams, all new continuity from which to tell all new stories about their classic characters. In the wake of their currently ongoing Flashpoint event, apparently some kind of event will [...]]]></description>
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<p>The big news yesterday hit that <a class="zem_slink" title="DC Comics" rel="homepage" href="http://www.dccomics.com/">DC Comics</a> will reboot their entire line of comic books beginning in September: all new #1&#8242;s, all new creative teams, all new continuity from which to tell all new stories about their classic characters. In the wake of their currently ongoing <em>Flashpoint</em> event, apparently some kind of event will occur that will reset the DC Universe to 0. Rolling out their big guns to show how serious they are, DC announced the first title in this reboot launch for August 31: <a class="zem_slink" title="Justice League" rel="wikipedia" href="http://en.wikipedia.org/wiki/Justice_League">The Justice League</a> by writer <a class="zem_slink" title="Geoff Johns" rel="homepage" href="http://www.geoffjohns.com">Geoff Johns</a> and acclaimed artist Jim Lee.</p>
<div class="wp-caption aligncenter" style="width: 530px"><a href="http://www.newsarama.com/comics/DC-Universe-Reboot-Announcement-110531.html"><img class="  " title="FUCK YES" src="http://i.newsarama.com/images/JL_Cv1.jpg" alt="" width="520" height="783" /></a><p class="wp-caption-text">DC&#39;s rebooted Justice League. (Image courtesy of Newsarama)</p></div>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>For comics fans alone, this was a bombshell of an announcement. The hits didn&#8217;t stop there though as DC announced that in conjunction with this reboot, everyone one of their new titles <strong><em>would be available digitally same day as print.</em></strong></p>
<p>That&#8217;s right. That noise you just heard was every comics retailer in the country shuttering their doors.</p>
<p>The comics Internet has, of course, exploded into fanboy rampage as the dwindling numbers of comics retailers express their outrage that DC is leaving them in the dust. They&#8217;re correct, too. DC isn&#8217;t just leaving them behind. They&#8217;re bending them over first and giving them a right good evening of buggery.</p>
<p>I&#8217;ve written before on the state of digital comics and how upset I am that there isn&#8217;t a better selection and a better on-time delivery date for new comics to digital apps. With this announcement, DC is coming down squarely on the side of the future, where people consume their content digitally. Pay attention to that Amazon announcement where books sold on the <a class="zem_slink" title="Amazon Kindle" rel="wikipedia" href="http://en.wikipedia.org/wiki/Amazon_Kindle">Kindle</a> outsold print books? Yeah. DC did too.</p>
<p>I dig DC&#8217;s decision to jump headfirst into the digital arena. This is a great first step for them, but if they really want to bring the <strong><em>AWESOME</em></strong>, they need to take a couple more key steps to become the reigning giant of digital publishers:</p>
<ol>
<li>Make digital titles less expensive than print titles.</li>
<li>Sell bundles or collections of stories at discounts, similar to affordable trade paperbacks.</li>
<li>Make an effort to get their <em>entire library </em>in their digital store.</li>
</ol>
<p>Like a friend of mine said, I want to reread <em>Preacher</em> in all its glory, but I don&#8217;t want to pay $2 per issue for the complete digital edition (for a total of $132). It makes no sense. Sell that at a massive discount and I will by the entire series, like I will with other complete series like <em><a class="zem_slink" title="The Invisibles Vol. 1: Say You Want a Revolution" rel="amazon" href="http://www.amazon.com/Invisibles-Vol-Say-Want-Revolution/dp/1563892677%3FSubscriptionId%3D0G81C5DAZ03ZR9WH9X82%26tag%3Dzemanta-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D1563892677">The Invisibles</a></em>, <a class="zem_slink" title="Transmetropolitan" rel="wikipedia" href="http://en.wikipedia.org/wiki/Transmetropolitan">Transmetropolitan</a>, and <em>Justice League International</em>. For what it&#8217;s worth, I think DC is on the path doing these things; they&#8217;re probably just waiting for their competitors&#8217; next moves in the digital arms race.</p>
<p>One thing is clear though: retailers, your day is DONE. No more will parents have to worry about what their children are being exposed to in shifty, dank stores run by unkempt and unclean comics fanboys. Those retailers that survive will be the ones who innovatively design their store experience, <a href="http://isotopecomics.com/" target="_blank">as James Sime has done for Isotope</a>.</p>
<p style="text-align: left;">As for the rest of you, I will not miss your terribleness one iota.</p>
<h6 class="zemanta-related-title" style="font-size: 1em;">Related articles</h6>
<ul class="zemanta-article-ul">
<li class="zemanta-article-ul-li"><a href="http://www.mobile-ent.biz/news/read/dc-comics-planning-day-and-date-digital-comics-publishing-for-relaunch">DC Comics planning day-and-date digital comics publishing for relaunch</a> (mobile-ent.biz)</li>
<li class="zemanta-article-ul-li"><a href="http://grumbleltd.wordpress.com/2011/06/01/dc-comics-rebooting-entire-universe/">DC Comics Rebooting Entire Universe</a> (grumbleltd.wordpress.com)</li>
<li class="zemanta-article-ul-li"><a href="http://blogs.forbes.com/markhughes/2011/06/01/dc-comics-is-rebooting-everything-and-going-digital/">DC Comics Is Rebooting Everything and Going Digital</a> (blogs.forbes.com)</li>
<li class="zemanta-article-ul-li"><a href="http://techland.time.com/2011/05/31/dc-comics-to-relaunch-entire-line-including-day-and-date-digital/">DC Comics to Relaunch Entire Line, Including Day-and-Date Digital</a> (techland.time.com)</li>
<li class="zemanta-article-ul-li"><a href="http://www.wired.com/geekdad/2011/05/dc-comics-relaunches-everything-announces-day-and-date-digitalprint-publication/">DC Comics Relaunches Everything, Announces Day-and-Date Digital/Print Publication</a> (wired.com)</li>
<li class="zemanta-article-ul-li"><a href="http://graphicpolicy.com/2011/05/31/dc-comics-announces-historic-renumbering-of-all-superhero-titles-and-landmark-day-and-date-digital-distribution/">DC Comics Announces Historic Renumbering of All Superhero Titles and Landmark Day-and-Date Digital Distribution</a> (graphicpolicy.com)</li>
<li class="zemanta-article-ul-li"><a href="http://www.escapistmagazine.com/news/view/110541-DC-Comics-Rebooting-Entire-Universe-Back-to-1">DC Comics Rebooting Entire Universe Back to #1</a> (escapistmagazine.com)</li>
<li class="zemanta-article-ul-li"><a href="http://www.geeksaresexy.net/2011/05/31/time-for-a-reboot-dc-comics/">&#8220;Time for a Reboot.&#8221; &#8211; DC Comics</a> (geeksaresexy.net)</li>
<li class="zemanta-article-ul-li"><a href="http://www.teleread.com/chris-meadows/dc-comics-to-simultaneously-release-print-digital-versions-of-comic-books/">DC comics to simultaneously release print, digital versions of comic books</a> (teleread.com)</li>
<li class="zemanta-article-ul-li"><a href="http://collider.com/dc-comics-universe-reboot/93845/">DC Universe Will Reboot This August; Digital Issues Available at Time of Physical Release</a> (collider.com)</li>
<li class="zemanta-article-ul-li"><a href="http://io9.com/5807156/dc-comics-renumbering-every-dcu-title-back-to-1-come-september">This fall, DC Comics will restart every big superhero comic at issue #1 [Comics]</a> (io9.com)</li>
<li class="zemanta-article-ul-li"><a href="http://screenrant.com/dc-universe-reboot-justice-league-film-benm-117890/">DC Universe To Be Rebooted; How Will It Affect the Justice League Film?</a> (screenrant.com)</li>
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		<title>Links of the Week: April 22, 2011 Edition</title>
		<link>http://www.mustbeawesome.com/2011/04/links-of-the-week-april-22-2011-edition/</link>
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		<pubDate>Fri, 22 Apr 2011 17:05:51 +0000</pubDate>
		<dc:creator>Du4</dc:creator>
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		<description><![CDATA[Trying to get back into the swing of things after recovering from a trip to the Emerald Isle. Jet lag lasted way too long. Here is big dump of links from the past month or so. As always, other notable things I found cool and interesting are all captured on my Pulse Posterous feed. 2045: [...]]]></description>
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<p>Trying to get back into the swing of things after recovering from a trip to the Emerald Isle. Jet lag lasted way too long. Here is big dump of links from the past month or so. As always, other notable things I found cool and interesting are all captured <a href="http://cpdu4.pulsememe.com/" target="_blank">on my Pulse Posterous feed</a>.</p>
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<div class="wp-caption alignleft" style="width: 310px"><a href="http://commons.wikipedia.org/wiki/File:Raymond_Kurzweil%2C_Stanford_2006_%28square_crop%29.jpg"><img title="Raymond Kurzweil, an American academicand author." src="http://upload.wikimedia.org/wikipedia/commons/thumb/9/98/Raymond_Kurzweil%2C_Stanford_2006_%28square_crop%29.jpg/300px-Raymond_Kurzweil%2C_Stanford_2006_%28square_crop%29.jpg" alt="Raymond Kurzweil, an American academicand author." width="300" height="300" /></a><p class="wp-caption-text">Image via Wikipedia</p></div>
</div>
<h2><a href="http://www.time.com/time/health/article/0,8599,2048138,00.html" target="_blank">2045: The Year Man Becomes Immortal</a></h2>
<p>&nbsp;</p>
<p><a class="zem_slink freebase/en/lev_grossman" title="Lev Grossman" rel="homepage" href="http://www.levgrossman.com/">Lev Grossman</a> writes this <a class="zem_slink freebase/en/time" title="Time (magazine)" rel="homepage" href="http://www.time.com/">TIME Magazine</a> article about futurist <a class="zem_slink freebase/en/raymond_kurzweil" title="Raymond Kurzweil" rel="myspaceeverything" href="http://www.myspace.com/everything/raymond-kurzweil">Ray Kurzweil</a> and his predictions for the coming <a class="zem_slink freebase/en/the_singularity_is_near" title="The Singularity Is Near" rel="wikipedia" href="http://en.wikipedia.org/wiki/The_Singularity_Is_Near">Singularity</a>. It&#8217;s a very comprehensive and thorough look into the implications of Kurzweil&#8217;s thinking, from <a class="zem_slink freebase/en/life_extension" title="Life extension" rel="wikipedia" href="http://en.wikipedia.org/wiki/Life_extension">life extension</a> to machine awareness. What struck me most about the piece, however, was how Kurzweil&#8217;s impetus for his work boiled down to his overriding desire to bring his deceased father back to life. Kurzweil believes wholeheartedly that humans will be able to resurrect the dead at some near point in the future, possibly from as little as preserved DNA. Thus, he has taken to extending his own life via any means necessary, like consuming a massive amount of nutrient and supplement pills per day. It really speaks to me that Kurzweil believes in such a rapid explosion of technology and why he wants to be around to see it. This is a must-read for all you futurists, singularitarians and transhumanists out there.</p>
<h2><a href="http://trailers.apple.com/trailers/fox/anotherearth/" target="_blank">Trailer: Another Earth</a></h2>
<p>Here&#8217;s a trailer for an intriguing film I first heard about from some friends who caught its premier at Sundance this year. The buzz around this indie sci-fi movie has been lighting up the internet in recent months, and this trailer should give you all the rationale you need to find it when it releases.</p>
<h2><a href="http://gizmodo.com/#!5793612/watching-people-skydive-in-slow-motion-is-absolutely-mesmerizing" target="_blank">Watching People Skydive in Slow Motion Is Absolutely Mesmerizing</a></h2>
<p>Seriously. This video is just magical. Click through it for a larger hi-res version&#8230; and prepare to be amazed.</p>
<p style="text-align: center;"><object width="400" height="225"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=22428395&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=&amp;fullscreen=1&amp;autoplay=0&amp;loop=0" /><embed type="application/x-shockwave-flash" width="400" height="225" src="http://vimeo.com/moogaloop.swf?clip_id=22428395&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=&amp;fullscreen=1&amp;autoplay=0&amp;loop=0" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p style="text-align: center;"><a href="http://vimeo.com/22428395">Experience Human Flight</a> from <a href="http://vimeo.com/bettywantsin">Betty Wants In</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<h2><a href="http://darmano.typepad.com/logic_emotion/2011/04/currency.html?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+Logicemotion+%28Logic%2BEmotion%29" target="_blank">Is a Social Currency System The Next Big Thing?</a></h2>
<p>Dave Armano poses some questions about <a class="zem_slink" title="Empire Avenue" rel="homepage" href="http://www.empireavenue.com">Empire Avenue</a>, a new &#8220;social currency&#8221; system that&#8217;s part game, part stock market, part influencer metrics ecosystem. I&#8217;ve been playing around with Empire Ave for a while now, and its potential as a measurable environment for influencers &#8211; based on their social connections via networks like Facebook and Twitter &#8211; is immense. Be sure to check out the comments for good discussion on Armano&#8217;s post, and if you&#8217;re interested in trying out Empire Ave, <a href="http://www.empireavenue.com/DU4" target="_blank">make sure you buy several shares in yours truly, Du4</a>. <img src='http://www.mustbeawesome.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<h2><a rel="bookmark" href="http://edelmandigital.com/2011/04/08/friday-five-what-gamification-means-for-digital-marketers/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+EdelmanDigital+%28Edelman+Digital%29#">Friday Five: What Gamification means for Digital Marketers</a></h2>
<p>Edelman Digital gives a pretty succinct summary about the concept of &#8220;gamification&#8221; that&#8217;s been buzzing around digital circles since SXSW.</p>
<h2><a href="http://io9.com/#!5787256/hidden-camera-photos-reveal-the-secret-lives-of-scifi-toys" target="_blank">Hidden camera photos reveal the secret lives of scifi toys</a></h2>
<div class="wp-caption aligncenter" style="width: 546px"><a href="http://thurstonroscoe.bigcartel.com/"><img title="heman" src="http://cache1.bigcartel.com/product_images/33184512/byThePowerPelletsOfGrayskull.jpg" alt="" width="536" height="800" /></a><p class="wp-caption-text">Image by Thurston Roscoe</p></div>
<p>Leave it to io9 to find <a href="http://thurstonroscoe.bigcartel.com/" target="_blank">Thurston Roscoe&#8217;s hilariously staged photos</a> of toys from our youth and what they do when we&#8217;re not looking. More fun photos at the links.</p>
<h2><a href="http://www.bleedingcool.com/2011/03/30/many-more-clips-from-the-new-looney-tunes-marvin-the-martian-yosemite-sam-road-runner-and-more/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+BleedingCool+%28Bleeding+Cool+Comic+News+%26+Rumors%29" target="_blank">Many More Clips From The New Looney Tunes: Marvin The Martian, Yosemite Sam, Road Runner And More</a></h2>
<p>I had no idea that Warner Brothers was working on a brand new Looney Tunes cartoon starring all our favorite WB cartoon characters from the Friz Freleng / Mel Blanc era. The animation looks SOLID too. Check out this clip of Foghorn Leghorn and Daffy Duck, which features some pretty advanced humor I was not expecting from a Cartoon Network show aimed (presumably) at kids. As an unabashed fan of classic Looney Tunes, I am SO EXCITED for this show&#8217;s premier on May 3rd. More vids at the link courtesy of Bleeding Cool.</p>
<p style="text-align: center;"><object width="640" height="390"><param name="movie" value="http://www.youtube.com/v/VrvC8HmnKpY&amp;rel=0&amp;hl=en_US&amp;feature=player_embedded&amp;version=3" /><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always" /><embed type="application/x-shockwave-flash" width="640" height="390" src="http://www.youtube.com/v/VrvC8HmnKpY&amp;rel=0&amp;hl=en_US&amp;feature=player_embedded&amp;version=3" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<h2><a title="Yakuza to the rescue?" href="http://blog.foreignpolicy.com/posts/2011/03/29/yakuza_to_the_rescue">Yakuza to the rescue?</a></h2>
<p>Apparently, Yakuza gangsters in Japan are pitching in to help dig out people trapped and injured in the recent Japan earthquake. Code of honor indeed.</p>
<h6 class="zemanta-related-title" style="font-size: 1em;">Related articles</h6>
<ul class="zemanta-article-ul">
<li class="zemanta-article-ul-li"><a href="http://susansayler.wordpress.com/2011/04/13/ray-kurzweil-on-the-colbert-report/">Ray Kurzweil on the Colbert Report</a> (susansayler.wordpress.com)</li>
<li class="zemanta-article-ul-li"><a href="http://singularityhub.com/2011/04/06/exclusive-interview-with-barry-ptolemy-director-of-kurzweil-documentary-transcendent-man/">Exclusive Interview With Barry Ptolemy, Director of Kurzweil Documentary Transcendent Man</a> (singularityhub.com)</li>
<li class="zemanta-article-ul-li"><a href="http://singularityhub.com/2011/04/18/transcendent-man-plays-in-san-francisco-heres-a-transcript-of-qa-session/">Transcendent Man Plays In San Francisco. Here&#8217;s A Transcript of Q&amp;A Session</a> (singularityhub.com)</li>
</ul>
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		<title>Links of the Week: April Fool&#8217;s Edition</title>
		<link>http://www.mustbeawesome.com/2011/04/links-of-the-week-april-fools-edition/</link>
		<comments>http://www.mustbeawesome.com/2011/04/links-of-the-week-april-fools-edition/#comments</comments>
		<pubDate>Fri, 01 Apr 2011 17:15:55 +0000</pubDate>
		<dc:creator>Du4</dc:creator>
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		<description><![CDATA[Top Shelf Announces &#8220;League of Extraordinary Gentlemen: 1988&#8221; Alan Moore&#8217;s titular comics title organizing popular characters in Victorian and British literature follows to its logical conclusion as Moore and O&#8217;Neill bring it to the States: Gmail Motion A new way to communicate: send your email by simply licking a stamp! The Aurors Trailer (Harry Potter TV [...]]]></description>
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<h2><a href="http://www.comicsalliance.com/2010/04/01/top-shelf-announces-league-of-extraordinary-gentlemen-1988/" target="_blank">Top Shelf Announces &#8220;League of Extraordinary Gentlemen: 1988&#8221;</a></h2>
<p>Alan Moore&#8217;s titular comics title organizing popular characters in Victorian and British literature follows to its logical conclusion as Moore and O&#8217;Neill bring it to the States:</p>
<p><img class="aligncenter" title="awesome" src="http://www.blogcdn.com/www.comicsalliance.com/media/2010/03/loeg88.jpg" alt="" width="584" height="903" /></p>
<h2><a href="http://mail.google.com/mail/help/motion.html" target="_blank">Gmail Motion</a></h2>
<p>A new way to communicate: send your email by simply licking a stamp!</p>
<p><object width="640" height="390"><param name="movie" value="http://www.youtube.com/v/Bu927_ul_X0?fs=1&amp;hl=en_US" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed type="application/x-shockwave-flash" width="640" height="390" src="http://www.youtube.com/v/Bu927_ul_X0?fs=1&amp;hl=en_US" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<h2><a href="http://www.ign.com/videos/2011/04/01/harry-potter-the-aurors-tv-show-trailer" target="_blank">The Aurors Trailer (Harry Potter TV Show)</a></h2>
<p>Looks like a strong effort from FX Networks now that the film franchise is coming to an end.</p>
<p style="text-align: center;"><object id="vid_4d950d3a0457bf09ce00000f" class="ign-videoplayer" width="480" height="270" data="http://media.ign.com/ev/prod/embed.swf" type="application/x-shockwave-flash"><param name="movie" value="http://media.ign.com/ev/prod/embed.swf" /><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="bgcolor" value="#000000" /><param name="flashvars" value="url=http://www.ign.com/videos/2011/04/01/harry-potter-the-aurors-tv-show-trailer" /></object></p>
<div style="width: 480px; text-align: center;"><a href="http://www.ign.com/videos/2011/04/01/harry-potter-the-aurors-tv-show-trailer">More The Aurors Videos</a></div>
<h2><a title="In Baffling Move, The Huffington Post Erects Paywall Solely For NYT Employees" rel="bookmark" href="http://techcrunch.com/2011/04/01/in-baffling-move-huffington-post-erects-paywall-solely-for-nyt-employees/" target="_blank">In Baffling Move, The Huffington Post Erects Paywall Solely For NYT Employees</a></h2>
<p>I don&#8217;t like &#8216;em either.</p>
<p><span style="font-size: 20px; font-weight: bold;"><a href="http://blog.zap2it.com/pop2it/2011/04/helvetica-goes-comic-sans-googles-april-fools-day-prank.html" target="_blank">Google Changes Helvetica Font to Comic Sans</a></span></p>
<p>There are no words.</p>
<div class="wp-caption aligncenter" style="width: 569px"><a href="http://blog.zap2it.com/pop2it/2011/04/helvetica-goes-comic-sans-googles-april-fools-day-prank.html"><img title="omg" src="http://blog.zap2it.com/pop2it/helvetica-april-fools.jpg" alt="" width="559" height="318" /></a><p class="wp-caption-text">Image courtesy of Zp2it</p></div>
<p>Regularly scheduled linksharing returns next week. <img src='http://www.mustbeawesome.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /> </p>
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		<title>Links of the Week: March 25, 2011 Edition</title>
		<link>http://www.mustbeawesome.com/2011/03/links-of-the-week-march-25-2011-edition/</link>
		<comments>http://www.mustbeawesome.com/2011/03/links-of-the-week-march-25-2011-edition/#comments</comments>
		<pubDate>Fri, 25 Mar 2011 18:42:47 +0000</pubDate>
		<dc:creator>Du4</dc:creator>
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		<description><![CDATA[Roqbot Reinvents the Jukebox as Social Game &#160; Here&#8217;s a more detailed article from Wired on the coolest app I discovered at SXSW 2011. Roqbot puts control of internet enabled jukeboxes in your hands via your mobile device. You become a DJ with your own list of music that follows you around to participating locations [...]]]></description>
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<h2><a href="http://www.wired.com/epicenter/2011/03/roqbot-reinvents-the-jukebox-as-social-game/" target="_blank">Roqbot Reinvents the Jukebox as Social Game</a></h2>
<p>&nbsp;</p>
<div class="zemanta-img zemanta-action-dragged" style="margin: 1em; display: block;">
<div class="wp-caption alignleft" style="width: 310px"><a href="http://commons.wikipedia.org/wiki/File:Midcentury_24-disc_Wurlitzer_jukebox_02.jpg"><img title="A mid-20th-century 24-disc Wurlitzer jukebox. ..." src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Midcentury_24-disc_Wurlitzer_jukebox_02.jpg/300px-Midcentury_24-disc_Wurlitzer_jukebox_02.jpg" alt="A mid-20th-century 24-disc Wurlitzer jukebox. ..." width="300" height="400" /></a><p class="wp-caption-text">Image via Wikipedia</p></div>
</div>
<p>Here&#8217;s a more detailed article from Wired on the coolest app I discovered at SXSW 2011. Roqbot puts control of internet enabled jukeboxes in your hands via your mobile device. You become a DJ with your own list of music that follows you around to participating locations with Rocqbot enabled jukeboxes. When you check into those venues, you can then control the jukebox&#8217;s playlist with a system of credits and rewards. Pretty great solution for all those bars you go to that keep playing &#8220;Freebird.&#8221;</p>
<h2><a title="Norman Spinrad’s QUARANTINE" href="http://www.warrenellis.com/?p=12207">Norman Spinrad’s QUARANTINE</a></h2>
<p>Only <a class="zem_slink freebase/en/warren_ellis" title="Warren Ellis" rel="homepage" href="http://warrenellis.com">Warren Ellis</a> could send a link to a sci-fi story about a bio-attack on New York that makes everyone have uncontrollable diarrhea. Spinrad&#8217;s latest novella deserves a look for that concept alone, but I&#8217;m also intrigued by Spinrad&#8217;s publishing model for this story. He&#8217;s going direct-to-reader via Amazon for a $3 mini-ebook. Worth checking out.</p>
<h2><a title="In The Midst Of A Massively Successful SXSW, Foursquare Tackles Venue Harmonization" rel="bookmark" href="http://techcrunch.com/2011/03/14/foursquare-social-places/">In The Midst Of A Massively Successful SXSW, Foursquare Tackles Venue Harmonization</a></h2>
<p><a class="zem_slink freebase/en/techcrunch" title="TechCrunch" rel="homepage" href="http://www.techcrunch.com">TechCrunch</a> has a good rundown of who I saw as the SXSW 2011 &#8220;winner,&#8221; Foursquare, and why. <a class="zem_slink" title="Dennis Crowley" rel="homepage" href="http://www.denniscrowley.com/">Dennis Crowley</a>&#8216;s plans to open up Foursquare&#8217;s checkin data to local businesses, with which they can create dashboards of customer information, is a brilliant application for the location-based service. Where this social tool was once seen as a frivolous game, I think the data built from its users is going to change the way brick and mortar business works in the future, particularly if those businesses are having a hard time staying open due to online competition. Even more importantly, as TechCrunch notes here, Foursquare is going to try and crack the nut of venue harmonization: developing a single online data set for each physical location someone could check into, regardless of what geolocation service they prefer (Foursquare, Gowalla, Facebook, etc).</p>
<h2><a href="http://singularityblog.singularitysymposium.com/question-everything-max-more-on-singularity-1-on-1/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+SingularityBlog+%28Singularity+Weblog%29" target="_blank">Question Everything: Max More on Singularity 1 on 1</a></h2>
<p>One of my new favorite regular reads via Pulsememe is Socrates&#8217; Singularity Blog. This latest post features a 50-minute long interview with &#8220;futurist and strategic philosopher&#8221; Max More. This is my first exposure to More, and I&#8217;m an instant fan. More is the CEO of the Alcor Life Extension Institute, a private sector entity dedicated to preserving one&#8217;s body past its normal lifespan. This basically involves employing cryonics technologies to freeze one&#8217;s brain (they even offer full body suspended animation!) on the hedge that in the future, humans will invent technology to resurrect the dying or dead tissue.</p>
<p>That&#8217;s not even the interesting part of the interview though. More &#8211; a name self-chosen based on his predilection toward transhumanism &#8211; offers tons of different insights into how one can immediately begin living a posthuman life. The most interesting piece of this interview to me was how More describes his diet and exercise regime, which are based on the &#8220;paleo&#8221; system:</p>
<p style="text-align: center;"><object width="640" height="390"><param name="movie" value="http://www.youtube.com/v/6MlaSWisUuw&amp;rel=0&amp;hl=en_US&amp;feature=player_embedded&amp;version=3" /><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always" /><embed type="application/x-shockwave-flash" width="640" height="390" src="http://www.youtube.com/v/6MlaSWisUuw&amp;rel=0&amp;hl=en_US&amp;feature=player_embedded&amp;version=3" allowfullscreen="true" allowscriptaccess="always"></embed></object></p>
<p>The <a class="zem_slink freebase/en/paleolithic_diet" title="Paleolithic diet" rel="wikipedia" href="http://en.wikipedia.org/wiki/Paleolithic_diet">Paleo diet</a> throwback as a model for transhuman evolution poses so many cool discussions. But the thing that&#8217;s so inspiring about this is that Max More is actually <em>living</em> the posthuman life NOW. More (whom I was surprised to learn is the husband of fellow transhumanist and futurist <a class="zem_slink freebase/en/natasha_vita-more" title="Natasha Vita-More" rel="wikipedia" href="http://en.wikipedia.org/wiki/Natasha_Vita-More">Natasha Vita-More</a>, whose talk at SXSW sent chills down my spine) speaks with a wonderful degree of belief and authority for transhumanism, and he espouses a message that should kick even the laziest of armchair futurists out of their chairs and into action. Check out the three previous videos of his talk with Socrates at the link or listen to the podcast.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h6 class="zemanta-related-title" style="font-size: 1em;">Related articles</h6>
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		<title>The SXSW Experience</title>
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		<pubDate>Wed, 23 Mar 2011 20:22:07 +0000</pubDate>
		<dc:creator>Du4</dc:creator>
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		<description><![CDATA[I tried to document as many of my ongoing thoughts as I could over on my Posterous feed during SXSW, but I thought I&#8217;d take some time to try and make some coherent sense of the week-long insanity I put myself through. Location, Location, Location There didn&#8217;t seem to be any consensus on a single [...]]]></description>
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<p>I tried to document as many of my ongoing thoughts as I could over <a href="http://du4.posterous.com" target="_blank">on my Posterous feed</a> during <a class="zem_slink" title="SXSW" rel="homepage" href="http://sxsw.com/">SXSW</a>, but I thought I&#8217;d take some time to try and make some coherent sense of the week-long insanity I put myself through.</p>
<h1>Location, Location, Location</h1>
<p>There didn&#8217;t seem to be any consensus on a single new technology or app that debuted or blew up SXSW this year. However, plenty of existing ones brought immense marketing campaigns to <a class="zem_slink freebase/en/austin" title="Austin, Texas" rel="homepage" href="http://www.ci.austin.tx.us/">Austin</a>, and the majority of those seemed to be location-based services. <a class="zem_slink freebase/en/gowalla" title="Gowalla" rel="homepage" href="http://gowalla.com">Gowalla</a>, in my opinion, severely dropped the ball by not preparing local Austin businesses for the influx of SXSW geeks galvanized by the Gowalla passport scavenger hunt. <a class="zem_slink" title="Foursquare" rel="homepage" href="http://www.foursquare.com/">Foursquare</a>, on the other hand, ruled the day by deploying 2000 virtual &#8220;Golden Tickets&#8221; into specific checkin spots in Austin that unlocked free tickets to their <a class="zem_slink freebase/en/big_boi" title="Big Boi" rel="homepage" href="http://bigboi.com">Big Boi</a> headliner show. So many more location-based companies littered the landfalls in Austin as well, each with some zany promotional campaign to get people to download and use their app.</p>
<div id="attachment_1368" class="wp-caption aligncenter" style="width: 500px"><a href="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0336.jpg"><img class="size-full wp-image-1368 " title="IMG_0336" src="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0336.jpg" alt="" width="490" height="490" /></a><p class="wp-caption-text">David Armano&#39;s Allhat3 at Guero&#39;s.</p></div>
<p>For my money, Foursquare was the clear popularity winner here. Their partnership with Pepsi &#8211; where they created an actual competitive foursquare court near the Austin Convention Center &#8211; culminated with an <strong><em>AWESOME</em></strong> party at the Seaholm Power Plant, where all sorts of people got to chill with <a class="zem_slink" title="Dennis Crowley" rel="twitter" href="http://twitter.com/dens">Dennis Crowley</a> and his Foursquare army to the tunes of Locksley, The Sounds, and Big Boi.</p>
<h1>App Discovery of SXSW: Roqbot</h1>
<p>Roqbot is an app-based service that allows you to take control of online-enabled jukeboxes in bars, clubs, restaurants, and other locations featuring these types of music services. Once you download the app, you develop a DJ profile of your favorite music and check into whatever location you happen upon that has one of these net-enabled jukeboxes. From there, you&#8217;re able to control the music playlist emanating from the box. Don&#8217;t like Lady Gaga? Spend a couple Roqbot credits to put some Oasis on higher in the music queue. You also earn free credits to play by unlocking various checkin rewards or you can just connect Roqbot to a Paypal account and buy songs directly. It&#8217;s SUCH a great a control solution for jukeboxes in places. I can&#8217;t wait till they expand their services into the DC/NOVA region.</p>
<h1><a href="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0317.jpg"><img class="size-large wp-image-1369 aligncenter" title="IMG_0317" src="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0317-764x1024.jpg" alt="" width="458" height="614" /></a></h1>
<h1>DC Represents</h1>
<p>I was caught off-guard by the massive DC presence at SXSW. From government rockstars like <a href="http://twitter.com/amandare" target="_blank">Amanda Eamich</a> from USDA to nonprofit supercolliders like <a href="http://twitter.com/foridagirlindc" target="_blank">Tammy Gordon of AARP</a>, DC&#8217;s varied social media community descended on Austin in force. I hung out with<a href="http://twitter.com/mikeschaffer" target="_blank"> Mike Schaffer</a>, Director for Social Media at <a href="http://iostudio.com" target="_blank">iostudio</a> the most, and lamented that despite having met and living near DC, we never hang out like we did at SXSW. I&#8217;m making a pledge to change that behavior on my part now that I&#8217;m home, and I want to invite any and all DC/NOVA peeps to call me on any antisocial leanings I may display from this point forward.</p>
<p><a href="http://twitter.com/margienewman" target="_blank">Margie</a> and <a href="http://twitter.com/groovysoup" target="_blank">Dave Newman</a>, masterminds of the <a href="http://www.meetup.com/DC-PR-Flacks/" target="_blank">DC Flacks Meetup group</a>, created an on-the-fly &#8220;<a href="http://twitter.com/#!/DCxSW" target="_blank">DCxSW</a>&#8221; Twitter handle and hash for all of us while in Austin. They also organized an impromptu meetup of these DCists at the Driskill Hotel one night where I had the best networking conversations of the week. I met a lot of folks i only knew through Twitter here, and I am super-excited to build upon those relationships in the future.</p>
<p>So here&#8217;s a big public shout-out to all my DCxSW peeps: Margie, Dave, Schaffer, <a href="http://twitter.com/gabehilado" target="_blank">Gabe Hilado</a>, Amandare!, <a href="http://twitter.com/frijolita" target="_blank">Alejandra Owens</a>, <a href="http://twitter.com/corbett3000" target="_blank">Peter Corbett</a>, Tammy Gordon, <a href="http://twitter.com/tammyportnoy" target="_blank">Tammy Portnoy</a>, <a href="http://twitter.com/dceventjunkie" target="_blank">Lisa Byrne</a>, <a href="http://twitter.com/aarpatti" target="_blank">Patti Shea</a>, and all the rest of you <strong><em>AWESOME</em></strong> DC peeps. It was also great meeting a bunch of non-DC folks like <a href="http://twitter.com/jeffespo" target="_blank">Jeff Esposito</a>, <a href="http://twitter.com/tmcantwell" target="_blank">Teresa Cantwell</a>, and old friends <a href="http://twitter.com/anneweiskopf" target="_blank">Anne Weiskopf</a> and <a href="http://twitter.com/tonia_reis" target="_blank">Tonia Reis</a> (<a href="http://therealtimereport.com/?redirected_from=twtrcon.com" target="_blank">formerly of TWTRCON fame, now The Realtime Report</a></p>
<div id="attachment_1367" class="wp-caption aligncenter" style="width: 500px"><a href="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0316.jpg"><img class="size-full wp-image-1367 " title="IMG_0316" src="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0316.jpg" alt="" width="490" height="490" /></a><p class="wp-caption-text">&quot;You may all go to hell, and I will go to Texas.&quot; --Davy Crockett</p></div>
<p>).</p>
<h1>Walking in Your Footsteps</h1>
<p>Much of the research I performed in prep for this massive undertaking panned out well. I intend to do up a fuller post on the travel hacks I came with on the fly, but the basics came down to comfortable shoes and clothing at all times. I can&#8217;t tell you how many times I just had to <em>sit down</em> because my feet hurt so bad from walking around so much. People recommended Converse as the go-to shoes for SXSW, but I have to put in a plug for the much comfier and supportive Merrel&#8217;s that I brought.</p>
<h1>Panels &amp; Speakers</h1>
<p>For the mot part, I found SXSW panels pedantic and freshman. The only ones that piqued my interest and delivered a good conversation were a panel on The Singularity and another with <a class="zem_slink freebase/en/john_hagel_iii" title="John Hagel III" rel="wikipedia" href="http://en.wikipedia.org/wiki/John_Hagel_III">John Hagel III</a> on shaping the future. The Singularity panel brought together experts like <a class="zem_slink freebase/en/michael_vassar" title="Michael Vassar" rel="wikipedia" href="http://en.wikipedia.org/wiki/Michael_Vassar">Michael Vassar</a> from the Singularity Institute and <a class="zem_slink freebase/en/natasha_vita-more" title="Natasha Vita-More" rel="wikipedia" href="http://en.wikipedia.org/wiki/Natasha_Vita-More">Natasha Vita-More</a> from Humanity+ for a <strong><em>SUPER-AWESOME</em></strong> discussion about the ethical limits of transhumanism and posthumanity. I&#8217;m stll processing a lot of the info from this panel, but be sure to check out the convo archived on the <a href="http://twitter.com/#!/search/%23singularity" target="_blank">#singularity hashtag</a>. That conversation is still going on, so feel free to jump in and add your thoughts.</p>
<div id="attachment_1370" class="wp-caption aligncenter" style="width: 500px"><a href="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0348.jpg"><img class="size-full wp-image-1370 " title="IMG_0348" src="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0348.jpg" alt="" width="490" height="490" /></a><p class="wp-caption-text">Seaholm Power Plant, site of the Foursquare/PepsiMax party.</p></div>
<p>I missed Seth Priebatsch&#8217;s keynote on the gamification of marketing and education, but I heard it was cool. I also missed <a class="zem_slink freebase/en/4chan" title="4chan" rel="homepage" href="http://www.4chan.org/">Christopher Poole</a>, aka moot of 4chan, who gave a keynote on social communities online and how their influence will continue to grow in the future. I heard good things about both of these keynotes but just couldn&#8217;y sync schedules to make them</p>
<h1>Getting Your Groove On</h1>
<p>I was most disappointed by the party situation. I RSVP&#8217;d for several parties specifically to hang out with or meet people that were throwing them. Unfortunately, every party is oversold, leading to massive numbers of people often crowding into small clubs, all trying to figure out who&#8217;s there that&#8217;s important or famous. What&#8217;s worse, I got the distinct impression at many of these parties that pre-existing community relationships led to a degree of &#8220;cliquey-ness&#8221; that isolated a lot of outsiders. This bothered me mainly because a lot of folks like myself stood in these long-ass lines for long periods of time to get into cool parties that only turned out to be fun for the cool kids.</p>
<p style="text-align: center;">&nbsp;</p>
<div id="attachment_1372" class="wp-caption aligncenter" style="width: 501px"><a href="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0376.jpg"><img class="size-large wp-image-1372  " title="IMG_0376" src="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0376-1024x764.jpg" alt="" width="491" height="366" /></a><p class="wp-caption-text">Ogilvy Notes, a cool attempt to make visual sense out of all the information overloading SXSW&#39;s attendees.</p></div>
<p>There were literally so many people at many of these parties that you would get interrupted talking to someone of note, and they would never come back to you due to successive interruptions. It&#8217;s damned hard to connect with someone in this fashion, and you can damn sure bet I&#8217;ll be working on a SXSW Guide to Party Ethics for 2012.</p>
<p>Even worse, most of the Interactive parties featured some of the worst, most annoying DJs on the planet. Note to party organizers of the future: they don&#8217;t call Austin the &#8220;<a class="zem_slink freebase/en/austin" title="Austin, Texas" rel="geolocation" href="http://maps.google.com/maps?ll=30.25,-97.75&amp;spn=0.1,0.1&amp;q=30.25,-97.75 (Austin%2C%20Texas)&amp;t=h">Live Music Capital of the World</a>&#8221; for nothing. If you want to throw a SXSW party next time, do some fucking due diligence and get a couple of inexpensive but <strong><em>AWESOME</em></strong> live acts instead of a bunch of douchy DJ pricks.</p>
<h1>Music vs. Interactive</h1>
<p>SXSW should really be broken up into two conferences for Music and Interactive because virtually everyone from the Interactive festival popped smoke when the Music festival began. It was SUCH a sea change in personalities too: I joked to a buddy that all the Interactive geeks stayed inside the Convention Center for Interactive where Austin had to shut down streets to accommodate the influx of Music nerds.</p>
<p>What&#8217;s funny about the disparity between Music and Interactive attendees (and the lurking Film festival geeks too), is that they could all stand to spend time in each other&#8217;s sessions. So much inspiration flowed out of musical performances that I think would have benefited Interactive attendees, particularly the PR and marketing types who were hard-charging the entire time selling and jiving versus soaking up the people&#8217;s culture.</p>
<p style="text-align: center;">&nbsp;</p>
<div id="attachment_1375" class="wp-caption aligncenter" style="width: 500px"><a href="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0395.jpg"><img class="size-full wp-image-1375 " title="IMG_0395" src="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0395.jpg" alt="" width="490" height="490" /></a><p class="wp-caption-text">Emmylou Harris performing solo on the Radio Day Stage.</p></div>
<p>I&#8217;ll do up a separate post later on the musical discoveries I made. Those are stories in and of themselves.</p>
<h1><a class="zem_slink freebase/en/omni_hotels" title="Omni Hotels &amp; Resorts" rel="homepage" href="http://www.omnihotels.com/">Omni Hotels</a> Continue to Rock</h1>
<p>Not only did my lovely friends at Omni Hotels hook me up with a couple free drinks and grab bag of SXSW necessities, I also found that the Omni&#8217;s parking situation far outweighed any other in downtown Austin. Where other lots were jacking prices up to $10 and $20 at a time, the Omni kept a moderate $7 a day parking charge for <a class="zem_slink" title="SXSW Interactive" rel="homepage" href="http://sxsw.com/interactive">SXSWi</a>. What&#8217;s more, you could avoid that charge completely if you returned for your car after midnight, where they opened the garage. GREAT customer service from Omni, especially for people who weren&#8217;t even staying at their hotel for SXSW. Thanks again for the stops along the way!</p>
<p><em>(Pro-tip: The Omni also had the cleanest bathrooms in town. At about midnight when those tacos are kicking in, ain&#8217;t nothing better than a spotless and empty bathroom!)</em></p>
<h1>Where Do We Go From Here?</h1>
<p style="text-align: center;">&nbsp;</p>
<div id="attachment_1376" class="wp-caption aligncenter" style="width: 468px"><a href="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0401.jpg"><img class="size-large wp-image-1376 " title="IMG_0401" src="http://www.mustbeawesome.com/wp-content/uploads/2011/03/IMG_0401-764x1024.jpg" alt="" width="458" height="614" /></a><p class="wp-caption-text">The Macallan 15, proud sponsor of SXSW and drunk-asses everywhere.</p></div>
<p>SXSW was a worthy event, but I&#8217;m not sure I can do it all in one sitting again. It was a great time, and I enjoyed it, but had it not been for the people I met there, it could have been a big old bust. I brought back with me a ton of great ideas and content that I have to work with, so I hope to see some heavy return on investment soon. In that vein, keep your eyes peeled for successive posts about different SXSW aspects that I couldn&#8217;t fit into this one.</p>
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		<title>Links of the Week: March 4, 2011 Edition</title>
		<link>http://www.mustbeawesome.com/2011/03/links-of-the-week-march-4-2011-edition/</link>
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		<pubDate>Fri, 04 Mar 2011 13:00:32 +0000</pubDate>
		<dc:creator>Du4</dc:creator>
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		<description><![CDATA[Not much to report this week due to a flurry of Du4licious activity in prep for this week&#8217;s Sister Cities International conference in Arlington. But a couple things did catch my eye. Revealing the Man Behind @MayorEmanuel &#160; Like many across the country, I fell in love with the raucous foulness of Rahm Emanuel&#8216;s parody [...]]]></description>
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<p>Not much to report this week due to a flurry of Du4licious activity in prep for this week&#8217;s <a class="zem_slink freebase/en/sister_cities_international" title="Sister Cities International" rel="homepage" href="http://www.sister-cities.org/">Sister Cities International</a> conference in Arlington. But a couple things did catch my eye.</p>
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<div class="wp-caption alignleft" style="width: 310px"><a href="http://commons.wikipedia.org/wiki/File:Rahm_Emanuel_news_conferences.jpg"><img title="Congressman Rahm Emanuel (center) with Sol Sch..." src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Rahm_Emanuel_news_conferences.jpg/300px-Rahm_Emanuel_news_conferences.jpg" alt="Congressman Rahm Emanuel (center) with Sol Sch..." width="300" height="402" /></a><p class="wp-caption-text">Image via Wikipedia</p></div>
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<h2><a href="http://www.theatlantic.com/technology/archive/2011/02/revealing-the-man-behind-mayoremanuel/71802/" target="_blank">Revealing the Man Behind @MayorEmanuel</a></h2>
<p>&nbsp;</p>
<p>Like many across the country, I fell in love with the raucous foulness of <a class="zem_slink freebase/en/rahm_emanuel" title="Rahm Emanuel" rel="wikipedia" href="http://en.wikipedia.org/wiki/Rahm_Emanuel">Rahm Emanuel</a>&#8216;s <a href="http://twitter.com/#!/MayorEmanuel/" target="_blank">parody Twitter account</a>, which started broadcasting shortly after Rahm left the White House to run for mayor of Chicago. As @MayorEmanuel&#8217;s popularity grew, so too did the mystery of who was really behind it. In this <em>Atlantic</em> article, @MayorEmanuel&#8217;s pilot is revealed: Dan Sinker, a Chicago punk rocker and new age digital storyteller. Sinker describes @MayorEmanuel as performance art, a new sort of digital political commentary that weaves in and out of fiction, celebrity, and current events. I&#8217;m massively intrigued by the potential of using Twitter in a manner like Sinker did. Anonymity is so easily protected on this network, there are huge opportunities for persona manipulation&#8230; which makes me wonder about the future of digital identity. Great read.</p>
<h2><a href="http://chrisguillebeau.com/3x5/on-revolutions/" target="_blank">On Revolutions</a></h2>
<p>Pretty interesting perspective on the Middle East protests from <a class="zem_slink" title="Chris Guillebeau" rel="homepage" href="http://www.chrisguillebeau.com">Chris Guillebeau</a> at <em><a class="zem_slink" title="The Art of Non-Conformity: Set Your Own Rules, Live the Life You Want, and Change the World" rel="amazon" href="http://www.amazon.com/Art-Non-Conformity-Rules-Change-World/dp/0399536108%3FSubscriptionId%3D0G81C5DAZ03ZR9WH9X82%26tag%3Dzemanta-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D0399536108">The Art of Non-Conformity</a></em>. Guillebeau has made a name for himself as a &#8220;travel hacker&#8221; by finding inexpensive means of visiting all sorts of places around the world. He is, in my opinion, a true citizen diplomat (public diplomacy peeps: take note). His experiences flying into Afghanistan, Libya, and Iran (!), give him an interesting &#8220;average joe&#8221; insight to what&#8217;s really at the forefront of people&#8217;s minds in those countries. Highly recommended read, and be sure to subscribe to Guillebeau&#8217;s blog too. It&#8217;s a must for nonconformists, proto-world dominators, and doowutchyalikes.</p>
<h2><a href="http://emergentbydesign.com/2011/03/01/announcing-open-foresight-the-future-of-facebook-project-2/" target="_blank">Announcing: Open Foresight &amp; The Future of Facebook Project</a></h2>
<p>Venessa Miemis is at it again with what sounds like an <strong><em>AWESOME</em></strong> forecasting initiative via <a class="zem_slink freebase/m/0bwhy_7" title="Kickstarter" rel="homepage" href="http://kickstarter.com">Kickstarter</a>. She has already interviewed several notable social media and tech influencers and has <a href="http://www.quora.com/The-Future-of-Facebook-Project" target="_blank">opened up her research questions to the public on Quora</a>. I highly recommend EVERYONE go and participate in this project. I&#8217;ve blogged about Venessa before, and I think her work as a modern digital/social futurist demonstrates a LOT of required skills we as humans need to adopt to adapt to the new digital lifestyles in which we find ourselves.</p>
<h6 class="zemanta-related-title" style="font-size: 1em;">Related articles</h6>
<ul class="zemanta-article-ul">
<li class="zemanta-article-ul-li"><a href="http://www.mediaite.com/online/the-man-behind-the-fake-mayoremanuel-twitter-feed-is-revealed/">The Man Behind The Fake @MayorEmanuel Twitter Feed Is Revealed</a> (mediaite.com)</li>
<li class="zemanta-article-ul-li"><a href="http://www.huffingtonpost.com/2011/02/28/dan-sinker-mayor-emanuel_n_829299.html">Dan Sinker Is @MayorEmanuel: Punk Planet Founder, Journalism Professor Behind Notorious Twitter Acccount</a> (huffingtonpost.com)</li>
<li class="zemanta-article-ul-li"><a href="http://thehill.com/blogs/twitter-room/other-news/146503-fake-rahm-emanuel-twitter-author-revealed">Fake Rahm Emanuel Twitter author revealed</a> (thehill.com)</li>
<li class="zemanta-article-ul-li"><a href="http://www.huffingtonpost.com/2011/03/01/dan-sinker-to-meet-rahm-e_n_829601.html">Rahm To Meet Dan Sinker Today</a> (huffingtonpost.com)</li>
<li class="zemanta-article-ul-li"><a href="http://www.politico.com/click/stories/1102/rahms_twitter_imposter_revealed.html">MYSTERY SOLVED: Rahm&#8217;s Twitter imposter revealed</a> (politico.com)</li>
</ul>
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