Sign outside the lecture hall at the American Art Museum where Darwyn spoke.

I never got a chance to blog about Darwyn Cooke‘s lecture at The Smithsonian American Art Museum a couple months ago during the Snowmageddon. Instead, I thought I’d share a couple of the notes I furiously typed into my iPhone during the event and some pics I managed to snap. Apologies ahead: I own a first gen iPhone 3G and the camera sucks, so picture quality is kinda meh.

He speaks with a gravelly voice, like the chief of a newspaper or a Parker-like character from a film noir. He’s reed thin and possessed of a certain class, as if he’s living in the same ’60s of which he so adoringly speaks. He wears a crisp suit and looks comfortable and smooth.

Cooke did all his own lettering for his adaptation of "The Hunter."

He gets choked up when he speaks of Westlake. He’s visibly awed by the legendary writer’s effect on him, how Westlake became the wonderful person Cooke always hoped he’d be. His voice cracks when he mentions Westlake, and his droopy, hound dog face grows longer. There’s much love in this man.

Cooke regaling us with tales of AWESOME.

He tells a story of how he remembers the smell of his dad’s Old Spice cologne. His father would put on a jacket and tie to go dancing with his mom.

Cooke reads from Donald Westlake's original novel, "The Hunter"

Cooke’s 1960s is chock full of art, where furniture and cars are individual masterpieces along with typography, book covers, and more. To Cooke, things just looked good in the ’60s… as opposed to the boring little metal boxes people drive around in today.

A page from Cooke's "The Hunter"

Cooke shuns the label “creator” or “artist.” To him, he’s an entertainer. A storyteller. A workman-like view towards his chose profession: no nonsense and no pretense.

“You can’t sell Red Tornado comics to real people. They wanna read about… skiing!”

Regarding technology, Cooke spoke of how animated the title sequence to Batman Beyond on a Mac in his spare bedroom. It blew traditional animators’ and media techs’ minds at Warner Brothers, who had up until that time, shunned the use of such devices to develop new animation.

Darwyn Cooke, ladies and gentlemen.

Cooke pointing out the elements of AWESOME in his work.

Darwyn sketched Parker when he autographed my copy of "The Hunter"

Darwyn also sketched Green Lantern when he autographed my Absolute Edition of his masterpiece "DC: The New Frontier"

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• Comics Spotlight On: The New Frontier (wired.com)

Judging by the increased traffic on the blog, and from the influx of followers on Twitter, my recent forays into new web communities like Third Tribe Marketing are bringing in some new eyeballs to This, Our Foul Blog of AWESOME. Greetings to all you new visitors. Please feel free to browse the archives and find a post of your preference to comment on. I’d love to hear what you think about all these shenanigans.

In the meantime… BATMAN, courtesy of Frank Miller and Jim Lee:

Courtesy of CHUD.com

This is Must. Be. AWESOME!!! Dot com.

Image courtesy of The Comics Reporter

Crazy, out of control madness going on behind the scenes here at Must. Be. AWESOME!!! Central. I wanted to break radio silence though to share an exciting event for people in the Washington, DC area.

Darwyn Cooke will appear at the Smithsonian American Art Museum on Saturday, January 30, 2010, at 4PM. Cooke is by far the absolute BEST graphic artist working in the comics business today. Not only is his style reminiscent of the clean, inspired animation art of Bruce Timm, but his composition on the page changes the way you think about sequential art. He will be reading a few selections from his most recent work, an adaptation of Donald Westlake‘s “Parker” novel The Hunter (from which the panel to your left is taken; free preview at this link). If you’re at all into modern art, comics, or animation, Cooke is a great talent to experience. You’ll find his paw prints all over some of the most eponymous prodigious artistic endeavors of the past 20 years, to include Batman Beyond, Catwoman, and Jonah Hex.

Your Intrepid Host of AWESOME will be at the Smithsonian for said event, easily identifiable with the massive Absolute New Frontier hardcover weighing me down as I cravenly strive to persuade Darwyn to give me a personalized head sketch. Prepare for nerdgasm.

This is Must. Be. AWESOME!!! Dot com.

Cooke's seminal New Frontier from DC Comics. (Image courtesy of Geekshow Entertainment)

In this information overloaded culture in 2010, Our Foul Year of the Interwebz, the noise to signal ratio has never been higher. Anyone who communicates on the web these days faces a growing competitive landscape across different media, so much so that it becomes necessary to develop and nurture trust networks amongst one’s social familiars to even have a slight hope of getting your content seen (much less acted upon).

Courtesy of Chris Sims of The Invincible Super Blog

While said trust networks naturally develop audience loyalty and attention over time, there is another method you can employ that will guarantee eyeballs on your content.

Make your fucking content ENTERTAINING.

At the end of the day, people are going to remember the stuff that makes ‘em laugh or tickles their AWESOME bone. As a content provider, you should be aiming to deliver entertaining stuff every time. You want everyone who stumbles across your content to come away having the same reaction you did when you walked out of the opening day IMAX screening of The Dark Knight: “THAT WAS FUCKING AWESOME!!!”

Entertainment enables AWESOME. You must perform. You have to raise your game to match and beat web personalities like Gary Vaynerchuk, whose every video blog is a blast to watch even if you don’t immediately dig his content (which caters to wine). You have to transcend this homogenization of social capital across the web and bring thunder like you’re a goddamn Greek god.

I’ll challenge you to take an even further step out on the ledge: your entertainment must be provocative. Don’t just think that by adding a soundtrack to your podcast you’re automatically more entertaining. What kind of music is it? Is it AWESOME? Do your listeners rock out to it and pay more attention to your content because of it? Using provocative methods like dirty words, shocking images, and flat-out ballsy boldness will punch your signal past all the other noise.

Many will decry my endorsement of such methods as mere shock tactics; causing controversy to draw an audience in. Well, no shit, sherlock. Content providers are competing against so many different channels of entertainment today that you must enable some Shock and Ahhh to be heard. This doesn’t mean you should let these tactics overshadow your content or your message. You can be entertaining, shocking, memorable, and deliver great stuff people will love.

Here are some examples of AWESOME entertainment across a couple different online media:

• Chris Sims’ Invincible Super-Blog raises the bar on comics commentary by incorporating funny, often ridiculous instances of comics AWESOMENESS. Chris likes his comics full of punches and kicks, and not just normal punches and kicks, but punches and kicks delivered in the most insane ways possible. Ergo, the Punisher punching a polar bear.

"Cuddly. Lovable. Docile. That won't do at all."

• Jon Stewart transformed the face of mainstream media and news through the simple art of making fun of it. The Daily Show provides a hilarious take on current events and the personalities that report on them. Comedy Central wisely made all episodes of this show available via its website as more and more of its audience professed that they get their news from The Daily Show versus other traditional news reporting.
• The maestros at The Cheezbuger Network took photo editing comedy to the next level with Comixed.com. In this new crowdsourcing experiment in hilarity, Comixed encourages people to remix 3-4 photos into panels that tell a story (similar to a Japanese manga technique explained here). This entertaining site has birthed several great new internet memes like “The Reaction Guys.”

The Reaction Guys

I confess I’m having a tough time finding some badass examples of online music or podcasting that really flip my shitbiscuits. If you have any suggestions for AWESOME content I should be paying attention, by all means comment away.

Now, I admit I’m just as guilty of not being as entertaining as I could be on this blog. We’re gonna change that today. If the above pics and links weren’t AWESOME enough for you, let me leave you with this little bit of Alec Baldwin love that never gets old:

I am a diehard DC Comics fan. I can remember all the way back to when my dad brought me to the E-Z Mart in Longview, Texas, and bought me my first few comics: a Superman comic; an old Star Trek adaptation; and Legion of Super-Heroes #311, the comic that forever changed my life and turned me into a Legion fan.

That said, I have to give Superfly TNT props to Marvel for its Digital Comics subscription program. I’ve grown lukewarm to the stories and shenanigans Marvel’s pulled over the years, such so that I barely pick up one or two series in print anymore. Because of this, I’ve missed out on a lot of stuff, and it’s great to go back through their digital archives and check out a lot of what I missed. Plus, at the price offered (~$40 on holiday discount for a year), I end up saving tons of cash on expensive hardcover collections I’d otherwise have to buy sight unseen. It’s the ultimate “try before you buy” program.

Image courtesy of dailyskew

While there are some obvious gaps in the online archives (Marvel tends not to put a lot of new comics online, which I suppose makes sense from a business perspective), there are some pretty good runs on here. I recently finished reading Warren Ellis and Adi Granov’s six-part Iron Man: Extremis, and I’m glad I read it online instead of forking out the cash to buy a trade paperback. It was decent, but not up to the standards I expect of Ellis. But I don’t feel cheated about this since I acquired the story through the Digital Comics subscription.

The digital reader Marvel employs is a little clunky, and I find it crashes or slows down on browsers or systems it wasn’t designed for. Running it on an uncluttered Dell Latitude E5400 with a Chrome browser seems to work pretty well though.

Marvel’s foray into digital comics has had me thinking on the issue of comics distribution for the future. I tend to believe that comics are going to price themselves right out of the industry soon, so that only diehard fans pick up actual print books anymore. For periodical series to survive, companies must turn to digital distribution, where new audiences live. IDW Publishing has stepped up their game in this arena considerably lately by publishing comics directly to the iPhone.

This is good fodder for a future post on digital comics distro. More to follow.