It Comes

Star Trek is now out on Blu-ray. If this is waiting for me when I get home, expect not to see me for days. Reviews have said the extra content alone will take a week to get through.

James_Tiberius_Kirk_by_Brandedsince88

I’m not gonna lie: I was a Star Trek nerd since I was a kid. Yes, I dressed up as Spock for Halloween in 4th grade. Yes, I dressed up as Scotty in 5th grade. Yes, I used to regularly get my ass kicked by all the cool kids.

But dammit, I loved Star Trek. Watched the original badassness of Teh Shatner. Read the books. Cried in the theater when they blew up the Enterprise the first time. Dug The Next Generation. Really dug DS9.

Over time, I lost interest as the franchise faltered and became less and less good. It never evolved. Sci-fi had moved on from aliens with funny heads (see Farscape) and static, barren production design (see The Matrix).

After seeing this year’s Star Trek remake by JJ Abrams, I felt vindicated. Sitting in that theater half full of Trekkie nerds and half full of regular people, and watching all of them love the fuck out of this movie… it was amazing. I got a little verklempt. It hit on every cylinder. There wasn’t one frame of that movie that wasn’t AWESOME. I walked out of there with the same experience I did for The Dark Knight: This wasn’t just a great genre movie, this was a great movie period.

I won’t go into a detailed movie review. There are plenty of those out there that dissect the film by the frame. (I may change my mind after sitting down with the actual disc, so eat it. I’m not consistent.) I will only further say that Star Trek (2009) transcends the boundaries of AWESOME: it is FUCKING AWESOME.

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I recently spoke at TWTRCON DC about how inserting a little AWESOME into your daily activities will reap large rewards in your life, be it personal or professional. I posit that by adhering to the tried and true K.I.S.S. Principle – “Keep It Simple, Stupid” – you’re actually defeating a creative, innovative urge that leads to all things AWESOME. Worse, by continually sticking to the K.I.S.S. Principle, you may actually do long term damage to your inherent ability to recognize and generate awesomeness on your own. This is the first chat in what I hope is a long conversation about raising everyone’s game in modern communication.

A classic case of AWESOME simplicity.

A classic case of AWESOME simplicity.

I am not by any means arguing that simplicity is a bad thing and should be shunned. Simplicity in communication is critical to the imparting of ideas and concepts to audiences small and large. However, I want you to think about this in terms of how keeping it simple can be dangerous if you’re a creative type (or want to be). For that, let me draw upon a sad example from my time working in the Pentagon.

One of the first things you get told when you go to work for any Defense Department organization – be it military or civilian service or contractor – is that you need to learn how to communicate briefly and succinctly. This is important because the Pentagon, like all military bases and commands, runs on a steady stream of documentation, policy, and other “paper” that constitutes the general “work” of the Department. General officers are often required to make several decisions a day, requiring extensive coordination with multiple offices.

So the “staff memo” has become something of a regular item seen in the hands of many poor staff officers running about the Byzantine five-walled maze. While these memos often contain the complete policy or document that requires coordination and decision, the important piece to each one is its cover sheet or executive summary. “EXSUMs” are no more than one page and summarize the content of the documents in bulletized form and clearly note what action is required of the recipient.

Because of these summaries, the main documents they summarize often never get read. So staff officers value the skill of being able to boil the component information down to a few bullets one one sheet of paper. (You all see this a lot on government PowerPoint slides, which constitute absolute abortions of the presentation medium.)

Sounds reasonable, right? Why shouldn’t we communicate so concisely between all these hundreds of thousands of government employees?

Here’s why: Ask any one of those staff officers to author a white paper on their own on any topic of interest, and you will see how massively boring their compositions are.

After a fraction of a career of having the K.I.S.S. Principle drilled into your head, it’s a mammoth task to indulge in original thinking much less creative communication. This causes a state of document fatigue where everything you produce looks similar, sounds similar, adheres to the same style, ad infinitum. The more you do it, the harder a habit it is to break.

This vicious circle destroys the creative impetus to deliver AWESOME content. Even the very word “keep” restricts one to certain, specific actions. While this may help in homogenizing a Defense Department and a government that depends on brevity to survive, I submit to you that it also prevents those same organizations from improving their methods of work and evolving to a modern, 21st century degree of communication and interaction.

Instead of keeping it simple, I invite you to make it AWESOME.

Here are a couple suggestions on doing just that:

  • Next time you see a tweet from someone in your network referring to any publication longer than an article or blog post, print it out and read it away from the computer.
  • For every business or nonfiction book you read, commit to reading two works of fiction. A book of short stories by your favorite author is a great way to start.
  • Instead of writing a summary for someone, go talk to them in person about it. Extra points: bring a couple of photos of the subject with you for visualization.
  • Do something risky with your work. Insert a LOLcat pic into that white paper you’re producing. Draw a cartoon, even if you’re not an artist. Tell a joke. Fart.

Simple and AWESOME do not have to be mutually exclusive. Some of the best examples of AWESOME are pretty short and sweet (see the “Dick in the Box” T-shirt design above). Brevity will naturally enable your content to be absorbed more quickly by more people, especially when disseminating via social media tools. As you can see from the examples above, being creative can be as easy as regurgitating someone else’s content from the Web (thanks, socialism!). The tricky part to that is enabling your creativity in such a way that its awesomeness flows out and has the same effect when it’s edited, summarized, abrogated, or otherwise cut down.

I believe that by keeping it simple, you’re making it harder to absorb and produce AWESOME content, no matter the source. I understand that this idea of mine may seem controversial or even mad in this travel-sized world that social media has enabled around us. The authors of Made to Stick, one of my favorite books on creativity, even argue that simplicity is paramount to the permanence of great ideas. I also recognize that I’ve applied some sweeping generalizations using specific examples in this post.

So tell me what YOU think. What are some examples of this that YOU’VE experienced? Where have I gone wrong? Do you have some better ideas to share?

Light up the comments section on this one, folks. I will give out a special prize to the most passionate response to this post I see.

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Having one of those “WTF?” kind of days. Thank God for Captain Picard.

Courtesy of image_macro

Courtesy of image_macro

Who, BTW, is not nearly as badass as Captain Kirk. So there.

Courtesy roflrazzi.com

Courtesy roflrazzi.com

Errrr…

This is Must. Be. AWESOME. Dot Com.

Du4 & fellow Open Mike winners

Du4 & fellow Open Mike winners

TWTRCON DC invaded the Grand Hyatt last Thursday to a rousing rabble of rock stars. My biggest concern about the event – that it would feature merely a poo-poo load of social media jerks wanking each other off – proved to be completely unfounded. In fact, I met a host of cool cats with whom I hope to continue rocking.

Instead of rehashing everything you can glean for yourselves from the #twtrcon hash, I shall instead focus on the things that I found most moving, helpful, and AWESOME about the event.

What I really dug about this event was how learnable everything was. The speakers, combined with relevant and targeted questions from attendees, produced a live narrative that, to me, is the new 21st century version of academic case studies and symposia: realtime, rapid fire analyses of business experiments in microcommunications. Every single discussion revealed a takeaway… some a little more hard to identify than others, but all just as helpful.

Possibly the most AWESOME of the bunch was Scott Harrison from charity: water. Donations made to this cause fund construction of clean water wells. How Scott and his handful of people go about raising money for this charity is quite remarkable. Charity: water organized “twestivals” in over 200 cities. These events drew in certain communities (knitters, for example) who donated what they could. But the focus of these events was on what the communities cared about, whether it was knitting, drinking, or music. This draws in the people who in turn donate as little as $5 for, say, an event fee. This added up to over $250,000 that charity: water gave back 100% to their constituents.

As AWESOME as that sounds, it gets better. Scott gave some no-shit measurable “do’s and don’ts” about using Twitter (and social media in general). While these reflected his experience with a nonprofit, they were perfectly transferable to businesses and government. Themes like transparency to donors, design sense, the art of surprise, and trust all wove in and out of Scott’s preso. It got me both excited and concerned, which should be an objective of virtually any modern influence campaign.

Armano modding the Real-Time Organizations Panel. Captain Chris is rocking the fatigues.

Armano moderating the Real-Time Organizations Panel. Captain Chris is rocking the fatigues alongside FEMA's own John Shea.

Also of note was U.S. Air Force Captain Chris Sukach‘s very impressive admission that in social media, “if you’re not failing, you’re not trying.” I hardly ever hear that type of honesty from government representatives in this town, much less those in uniform. We expect so little from our government because we’ve been conditioned to think of it as a maintenance mechanism for status quo, and this often translates to lameness. Chris is the type of change agent we need more of in DC.

I do want to thank everybody at TWTRCON who voted for me as part of the Open Mike Contest. I am a shameless ham, and any chance to get up in front of people and entertain flips my shitbiscuits. That said, I did mean what I said about being AWESOME: keeping it simple often kills innovation and coolness. (More on the shittiness of the KISS principle in future posts.)

I want to spend a little time giving some props to the peeps I hung with on this very rocking of days. Amy, Ira, and Kim of  Chickdowntown were GREAT fun at Brasserie Beck (check out the website for some cool fashion deals and TWTRCON pics). Had a great conversation with David Puner of Dunkin’ Donuts about their social media strategy, which was enlightening and cool. Many thanks to Brian Block for the iPhone charger (he’s using Twitter for real estate and epically winning). Had a great time laff-testing material with my tablemates Andrea Meier, Ali Long, and Adam Zand. Chris and Rachel from Socialware (a TWTRCON sponsor) were supercool– I expect an invitation to come rock it out with you guys in Austin SOON. Lovely connecting at last with Ogilvy rock star Rohit Bhargava who did a great job manhandling Steve Rubel on the Real-Time Business panel. I’d also like to implore people to visit OrphanBracelet.org, a charity benefiting children orphaned by HIV/AIDS which crusader Monique Watkins turned me onto. And of course, the inimitable David Armano– who appropriately knocked Du4 around for sounding like a used car salesman with an aptly delivered: “Own it!”

The Real-Time Brands Panel

The Real-Time Brands Panel

You can find all the presos and a list of other con reports and media here. I have to give Tonia, Anne, and Chris super-kudos for putting such a worthwhile and fun event together. I had a great time funnin’ with everyone. I highly encourage everyone to stay engaged in the TWTRCON conversation and help keep it relevant, fun, and engaging for everyone.

[TWTRCON pics courtesy of @vincentgallegos]

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Courtesy of vincentgallegos

Courtesy of vincentgallegos

Nicely done, Twitter peeps. Full report to follow but suffice to day, TWTRCON DC 09 was a rousing success. Very useful collection of people, discussions, and studies. Met a shitload of great people and even won the Open Mike Contest.

Great meeting everybody, and thanks to all who voted for lil’ ole’ me. I love you longtime. More to follow.

This is Must. Be. AWESOME. Dot com.

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TWTRCON Bound

Had a lovely time this evening bullshitting with some of the crew coming to TWTRCON DC. Despite our disparities, it’s funny how this thing called Twitter has brought us together. Realtors, educators,  marketers, techies: we are all harmonized in some way by this odd little tool. I have to hand it to the Modern Media folks who put this mutha together: so far, this sounds like a great time.

If you’re  not coming to #TWTRCON, use the hashtag to follow realtime updates on any number of tools like TweetDeck or TwitterFall (if you aren’t already). I oughtta be running around, causing a ruckus and fucking shit up, so if you’re attending, holla at a brotha via @Du4 and lemme know where yer at. If you don’t know what I’m talking about, you are probably not even reading this blog.

Con report to follow.

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Sometimes, AWESOME simply defies description. Sometimes, the best emotional explosions and reactions to AWESOME are unexpected. Sometimes, it just happens. You can’t explain it. You can’t predict it. You can’t model it.

It just works.

Such is the case of The Venture Brothers.

GO, TEAM VENTURE!

GO, TEAM VENTURE!

The Venture Bros. premiered to Cartoon Network‘s Adult Swim time block in 2003. Over the course of its 3 seasons (currently in its 4th), the cartoon exemplified an unabashed and unadulterated love of classic genre staples – from depictions of a drug-addled grown up Johnny Quest to a Fantastic Four amalgam voiced by Stephen Colbert. However, each and every episode attacked and murdered genre expectations. The comedic timing of this sharply dialogued show arose not from the stale trappings of one-off jokes or sarcastic parodies of real life, but from the adoration and respect of the humor inherent in the show’s inspirational material. Jackson Publick, along with his showrunning cohort Doc Hammer, has even said that despite the rolling hilarity, the show is ultimately about failure… and how we can find humor in it.

Now, if this hasn’t convinced you to check this wondrous show out on DVD yet… GOOD. What??? Now, I’m discouraging you from checking out this sexy sin of AWESOME? Well, that’s part of the beauty of The Venture Bros’ AWESOMENESS.

The Ventures’ audience grew slowly, almost dismally over the past six years. Indeed, the producers have only just now begun their 4th season. That’s what’s brilliant about the show’s appeal: You have to self-select in to get the joke.

What I mean by that is that The Venture Bros is something of a private club. Part of what has made the show such a phenomenon is its use of the genre culture as marketing. In season 3, for example, Doc Hammer announced a special weekly gig where hardcore fans of the show could order exclusive T-shirts based on each episode, but only for a limited time. These shirts became hot commodities even amongst non-fans, and they drew in larger numbers to the show. Why? Because everyone who discovered the show not only liked the content (and let’s be honest, the content fucking RULES YOUR FACE), but they also liked being in on something exclusive. Something… underground.

This sense of exclusive insider knowledge perpetuated the AWESOMENESS of the show. Granted, there is a level of geektitude and nerdosity built into many Venture Bros fans. As a fan myself, I value that niche fandom too much to let the hoi polloi in on it. Except y’all. Y’all are OK.

One you get in on the inside joke, it’s something you can never come back from. The AWESOME inherent in The Venture Bros makes you a fan for life. You can’t help but ask when the next season is due out, or be mildly curious about the live action dress-up the show’s creators performed on the season 1 DVD, or wonder why the hell you keep coming back to watching stuff like THIS despite its mind-shatteringly weirdness:

I’ll tell you why.

Because it’s AWESOME.

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I had an interesting exchange on Facebook the other day about the esoteria of my perspective on being AWESOME, on striving to be more AWESOME, and the like. He brings up some good concerns about this mythical goal where everyone is giving their best effort every time, where there is no mediocrity, where crapulousness is gone. In this state, with everyone being AWESOME all the time, does that become the new standard? Thus defeating the purpose of AWESOME in the first place?

I had to think on this for a while, but my initial reaction I believe is correct: as a collective equilibrium is attained, it must further evolve. So once everyone becomes AWESOME, the “standard” for defining AWESOME must be raised.

In this continuum, is it ever possible to reach a perpetual state of AWESOME?

I’m not sure. I think the way we look at this continuum is important, however. If we consider this quest for AWESOME purely a linear path toward achieving a goal (despite how impossible and/or subjective this particular goal may be), then I think we lost focus on what’s most important: the drive involved that motivates us to be AWESOME. I think it is this drive – or in more cliched terms, the “journey being more important than the destination” – that bears more attention.

The galvanization of oneself to achieve that which is truly AWESOME… well, that’s a tough thing to qualify or quantify. And I suspect it’s different for everyone.

So get achieving, people. Time’s a-wastin’.

{Image H/T Seth @ Dark Zero.}

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How in the name of Sir Isaac H. Newton is there not more of this show online? David Lynch’s abortive 1992 follow-up to Twin PeaksOn the Air, was probably the funniest thing I have ever seen… EVER.

It is the SOUL of AWESOME.

Look for Blinky Watts at 6:11 and feel my LOLZ. Anyone who can find high quality video clips of this show (including the 4 unaired episodes), send ‘em my way and I’ll give yez a prize.

This is Must. Be. Awesome. Dot com.

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I am totally stealing this idea from author and futurist Warren Ellis, who so eloquently resurrected the idea of “station identification” from the annals of radio history to the mixed media malfeasance of today’s Interwebs.

This is Must. Be. AWESOME. Dot com.

[Pic HT: Something Awful]

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